
Is Screwed in Tallinn: A Small Film About Loneliness a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75.0M, Screwed in Tallinn: A Small Film About Loneliness is declared a Average.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Marking its arrival in 1999, Screwed in Tallinn: A Small Film About Loneliness positioned itself as a Comedy / TV Movie / Drama film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Screwed in Tallinn: A Small Film About Loneliness has culminated in a worldwide gross of approximately $75.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. While the film found its footing, the margins suggest a moderate transition from theatrical exhibition to overall profitability, likely relying on secondary revenue streams.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Screwed in Tallinn: A Small Film About Loneliness navigated the competitive landscape with an audience reception score of 6.9/10. When weighing the production costs against the global returns, Screwed in Tallinn: A Small Film About Loneliness is effectively categorized as a Average. A solid success that demonstrates effective resource allocation and content-market fit.
Comparables
In the context of other Comedy releases, the performance of Screwed in Tallinn: A Small Film About Loneliness will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1999 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.