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Is SEVENTEEN [RIGHT HERE] WORLD TOUR IN CINEMAS a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $200.0M, SEVENTEEN [RIGHT HERE] WORLD TOUR IN CINEMAS is declared a Blockbuster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
In the competitive landscape of 2025, SEVENTEEN [RIGHT HERE] WORLD TOUR IN CINEMAS debuted as a Music / Documentary film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for SEVENTEEN [RIGHT HERE] WORLD TOUR IN CINEMAS has culminated in a worldwide gross of approximately $200.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 300%. The numbers reflect a powerful connection with audiences, translating into a box office run that exceeded initial studio projections.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, SEVENTEEN [RIGHT HERE] WORLD TOUR IN CINEMAS navigated the competitive landscape with an audience reception score of 8/10. When weighing the production costs against the global returns, SEVENTEEN [RIGHT HERE] WORLD TOUR IN CINEMAS is effectively categorized as a Blockbuster. It stands as a testament to the power of high-concept storytelling and broad audience appeal.
Comparables
In the context of other Music releases, the performance of SEVENTEEN [RIGHT HERE] WORLD TOUR IN CINEMAS will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2025 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.