
Is She Has a Broom, He Has a Black Hat a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30.0M, She Has a Broom, He Has a Black Hat is declared a Disaster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
In the competitive landscape of 1987, She Has a Broom, He Has a Black Hat debuted as a Comedy / Family / Fantasy film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for She Has a Broom, He Has a Black Hat has culminated in a worldwide gross of approximately $30.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The collection trajectory points to a challenging market response, where the theatrical gross struggled to clear the traditional break-even multiplier required for production and marketing recovery.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, She Has a Broom, He Has a Black Hat navigated the competitive landscape with an audience reception score of 5/10. When weighing the production costs against the global returns, She Has a Broom, He Has a Black Hat is effectively categorized as a Disaster. This result will likely prompt a re-evaluation of budget strategies for similar genre entries moving forward.
Comparables
In the context of other Comedy releases, the performance of She Has a Broom, He Has a Black Hat will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1987 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.