
Is Siedem czerwonych róż, czyli Benek kwiaciarz o sobie i o innych a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75.0M, Siedem czerwonych róż, czyli Benek kwiaciarz o sobie i o innych is declared a Average.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Siedem czerwonych róż, czyli Benek kwiaciarz o sobie i o innych, released in 1973, entered the cinematic marketplace as a Drama / Comedy / TV Movie film. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Siedem czerwonych róż, czyli Benek kwiaciarz o sobie i o innych has culminated in a worldwide gross of approximately $75.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. The box office returns point to a steady but unspectacular run, with the film performing adequately within its genre expectations.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Siedem czerwonych róż, czyli Benek kwiaciarz o sobie i o innych navigated the competitive landscape with an audience reception score of 7/10. When weighing the production costs against the global returns, Siedem czerwonych róż, czyli Benek kwiaciarz o sobie i o innych is effectively categorized as a Average. This performance validates the commercial viability of the genre and the star power involved.
Comparables
In the context of other Drama releases, the performance of Siedem czerwonych róż, czyli Benek kwiaciarz o sobie i o innych will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1973 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.