![Sortie d'usine, [IV] backdrop](https://image.tmdb.org/t/p/w1280/yARDUQx4Ltrel6jZpkQklnyuUv2.jpg)
Is Sortie d'usine, [IV] a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30.0M, Sortie d'usine, [IV] is declared a Disaster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Sortie d'usine, [IV], released in 1897, entered the cinematic marketplace as a Documentary film. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Sortie d'usine, [IV] has culminated in a worldwide gross of approximately $30.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The collection trajectory points to a challenging market response, where the theatrical gross struggled to clear the traditional break-even multiplier required for production and marketing recovery.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Sortie d'usine, [IV] navigated the competitive landscape with an audience reception score of 4.5/10. When weighing the production costs against the global returns, Sortie d'usine, [IV] is effectively categorized as a Disaster. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
Comparables
In the context of other Documentary releases, the performance of Sortie d'usine, [IV] will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1897 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.