Is Spider-Man: The Mythology of the 21st Century a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75.0M, Spider-Man: The Mythology of the 21st Century is declared a Average.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Marking its arrival in 2002, Spider-Man: The Mythology of the 21st Century positioned itself as a Documentary film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Spider-Man: The Mythology of the 21st Century has culminated in a worldwide gross of approximately $75.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. Although not a breakout sensation, the collection figures demonstrate a reliable performance that contributes to the studio's annual slate.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Spider-Man: The Mythology of the 21st Century navigated the competitive landscape with an audience reception score of 6.8/10. When weighing the production costs against the global returns, Spider-Man: The Mythology of the 21st Century is effectively categorized as a Average. This performance validates the commercial viability of the genre and the star power involved.
Comparables
In the context of other Documentary releases, the performance of Spider-Man: The Mythology of the 21st Century will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2002 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.