Detailed collection report

Is Star Trek III: The Search for Spock a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $87.0M, Star Trek III: The Search for Spock is declared a Blockbuster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Star Trek III: The Search for Spock, released in 1984, entered the cinematic marketplace as a Science Fiction / Action / Adventure / Thriller film. The production path for this project involved significant capital, with a reported budget of approximately $18.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Star Trek III: The Search for Spock has culminated in a worldwide gross of approximately $87.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 383%. This performance indicates a strong grasp of the target demographic and sustained momentum beyond the opening weekend, a hallmark of major commercial success.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Star Trek III: The Search for Spock navigated the competitive landscape with an audience reception score of 6.6/10. When weighing the production costs against the global returns, Star Trek III: The Search for Spock is effectively categorized as a Blockbuster. This result solidifies the film's place as a significant earner in the yearly box office rankings.
Comparables
In the context of other Science Fiction releases, the performance of Star Trek III: The Search for Spock will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1984 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.