Is Super Chief: The Life and Legacy of Earl Warren a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $200.0M, Super Chief: The Life and Legacy of Earl Warren is declared a Blockbuster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
In the competitive landscape of 1989, Super Chief: The Life and Legacy of Earl Warren debuted as a Documentary film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Super Chief: The Life and Legacy of Earl Warren has culminated in a worldwide gross of approximately $200.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 300%. Such a robust financial display underscores the film's broad appeal and effective marketing campaign.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Super Chief: The Life and Legacy of Earl Warren navigated the competitive landscape with an audience reception score of 7.3/10. When weighing the production costs against the global returns, Super Chief: The Life and Legacy of Earl Warren is effectively categorized as a Blockbuster. It stands as a testament to the power of high-concept storytelling and broad audience appeal.
Comparables
In the context of other Documentary releases, the performance of Super Chief: The Life and Legacy of Earl Warren will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1989 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.