
Is Temptation: Confessions of a Marriage Counselor a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $53.1M, Temptation: Confessions of a Marriage Counselor is declared a Average.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
In the competitive landscape of 2013, Temptation: Confessions of a Marriage Counselor debuted as a Drama film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $37.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Temptation: Confessions of a Marriage Counselor has culminated in a worldwide gross of approximately $53.1M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 44%. The box office returns point to a steady but unspectacular run, with the film performing adequately within its genre expectations.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Temptation: Confessions of a Marriage Counselor navigated the competitive landscape with an audience reception score of 6.6/10. When weighing the production costs against the global returns, Temptation: Confessions of a Marriage Counselor is effectively categorized as a Average. A solid success that demonstrates effective resource allocation and content-market fit.
Comparables
In the context of other Drama releases, the performance of Temptation: Confessions of a Marriage Counselor will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2013 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.