Is The Akron Sound: It's Everything, and Then It's Gone a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75.0M, The Akron Sound: It's Everything, and Then It's Gone is declared a Average.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
The Akron Sound: It's Everything, and Then It's Gone, released in 2003, entered the cinematic marketplace as a Music / Documentary film. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for The Akron Sound: It's Everything, and Then It's Gone has culminated in a worldwide gross of approximately $75.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. Although not a breakout sensation, the collection figures demonstrate a reliable performance that contributes to the studio's annual slate.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, The Akron Sound: It's Everything, and Then It's Gone navigated the competitive landscape with an audience reception score of 7/10. When weighing the production costs against the global returns, The Akron Sound: It's Everything, and Then It's Gone is effectively categorized as a Average. This performance validates the commercial viability of the genre and the star power involved.
Comparables
In the context of other Music releases, the performance of The Akron Sound: It's Everything, and Then It's Gone will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2003 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.