Detailed collection report

Is The Battle at Lake Changjin II: Water Gate Bridge a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $626.2M, The Battle at Lake Changjin II: Water Gate Bridge is declared a Super Hit.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
The Battle at Lake Changjin II: Water Gate Bridge, released in 2022, entered the cinematic marketplace as a War / History / Action / Drama film. The production path for this project involved significant capital, with a reported budget of approximately $200.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for The Battle at Lake Changjin II: Water Gate Bridge has culminated in a worldwide gross of approximately $626.2M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 213%. Such a robust financial display underscores the film's broad appeal and effective marketing campaign.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, The Battle at Lake Changjin II: Water Gate Bridge navigated the competitive landscape with an audience reception score of 6.3/10. When weighing the production costs against the global returns, The Battle at Lake Changjin II: Water Gate Bridge is effectively categorized as a Super Hit. A resounding victory for the filmmakers, proving that quality content resonates with paying audiences.
Comparables
In the context of other War releases, the performance of The Battle at Lake Changjin II: Water Gate Bridge will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2022 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.