Is The Beloved Child, or I Play at Being a Married Woman a Hit or Flop? Official Box Office Record & Profit Analysis

Detailed Financial Report

The Beloved Child, or I Play at Being a Married Woman, released in 1971, entered the cinematic marketplace as a Documentary film. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.

Collection Trajectory

The box office journey for The Beloved Child, or I Play at Being a Married Woman has culminated in a worldwide gross of approximately $75.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. While the film found its footing, the margins suggest a moderate transition from theatrical exhibition to overall profitability, likely relying on secondary revenue streams.

Profitability & Verdict

Analyzing the multiplier effect and market sentiment, The Beloved Child, or I Play at Being a Married Woman navigated the competitive landscape with an audience reception score of 6.6/10. When weighing the production costs against the global returns, The Beloved Child, or I Play at Being a Married Woman is effectively categorized as a Average. It delivers a respectable return, ensuring confidence in future projects of similar scale.

Comparables

In the context of other Documentary releases, the performance of The Beloved Child, or I Play at Being a Married Woman will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1971 box office narrative.