
Is The Extraordinary Adventures of Adèle Blanc-Sec a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $34.6M, The Extraordinary Adventures of Adèle Blanc-Sec is declared a Average.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Marking its arrival in 2010, The Extraordinary Adventures of Adèle Blanc-Sec positioned itself as a Fantasy / Adventure / Action / Mystery film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $25.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for The Extraordinary Adventures of Adèle Blanc-Sec has culminated in a worldwide gross of approximately $34.6M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 38%. Although not a breakout sensation, the collection figures demonstrate a reliable performance that contributes to the studio's annual slate.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, The Extraordinary Adventures of Adèle Blanc-Sec navigated the competitive landscape with an audience reception score of 6.2/10. When weighing the production costs against the global returns, The Extraordinary Adventures of Adèle Blanc-Sec is effectively categorized as a Average. It delivers a respectable return, ensuring confidence in future projects of similar scale.
Comparables
In the context of other Fantasy releases, the performance of The Extraordinary Adventures of Adèle Blanc-Sec will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2010 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.