
Is The Haunting in Connecticut 2: Ghosts of Georgia a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $5.1M, The Haunting in Connecticut 2: Ghosts of Georgia is declared a Flop.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
The Haunting in Connecticut 2: Ghosts of Georgia, released in 2013, entered the cinematic marketplace as a Horror / Drama / Thriller film. The production path for this project involved significant capital, with a reported budget of approximately $8.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for The Haunting in Connecticut 2: Ghosts of Georgia has culminated in a worldwide gross of approximately $5.1M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -36%. The underwhelming numbers suggest a disconnect with the intended audience, limiting the film's potential for a long theatrical life.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, The Haunting in Connecticut 2: Ghosts of Georgia navigated the competitive landscape with an audience reception score of 5.8/10. When weighing the production costs against the global returns, The Haunting in Connecticut 2: Ghosts of Georgia is effectively categorized as a Flop. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
Comparables
In the context of other Horror releases, the performance of The Haunting in Connecticut 2: Ghosts of Georgia will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2013 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.