
Is Utopia in Babelsberg - Science Fiction aus der DDR a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75.0M, Utopia in Babelsberg - Science Fiction aus der DDR is declared a Average.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
In the competitive landscape of 2021, Utopia in Babelsberg - Science Fiction aus der DDR debuted as a Documentary film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Utopia in Babelsberg - Science Fiction aus der DDR has culminated in a worldwide gross of approximately $75.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. The box office returns point to a steady but unspectacular run, with the film performing adequately within its genre expectations.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Utopia in Babelsberg - Science Fiction aus der DDR navigated the competitive landscape with an audience reception score of 6/10. When weighing the production costs against the global returns, Utopia in Babelsberg - Science Fiction aus der DDR is effectively categorized as a Average. A solid success that demonstrates effective resource allocation and content-market fit.
Comparables
In the context of other Documentary releases, the performance of Utopia in Babelsberg - Science Fiction aus der DDR will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2021 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.