Detailed collection report

Is Wake Up Dead Man: A Knives Out Mystery a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $4.0M, Wake Up Dead Man: A Knives Out Mystery is declared a Disaster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Wake Up Dead Man: A Knives Out Mystery, released in 2025, entered the cinematic marketplace as a Thriller / Mystery / Comedy film. The production path for this project involved significant capital, with a reported budget of approximately $210.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Wake Up Dead Man: A Knives Out Mystery has culminated in a worldwide gross of approximately $4.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -98%. Despite the hype, the ticket sales faced headwinds, resulting in a total that fell short of the necessary threshold for theatrical profitability.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Wake Up Dead Man: A Knives Out Mystery navigated the competitive landscape with an audience reception score of 7.2/10. When weighing the production costs against the global returns, Wake Up Dead Man: A Knives Out Mystery is effectively categorized as a Disaster. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
Comparables
In the context of other Thriller releases, the performance of Wake Up Dead Man: A Knives Out Mystery will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2025 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.