Detailed collection report

Is Wax, or The Discovery of Television Among the Bees a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75.0M, Wax, or The Discovery of Television Among the Bees is declared a Average.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Wax, or The Discovery of Television Among the Bees, released in 1991, entered the cinematic marketplace as a Science Fiction film. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Wax, or The Discovery of Television Among the Bees has culminated in a worldwide gross of approximately $75.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. The box office returns point to a steady but unspectacular run, with the film performing adequately within its genre expectations.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Wax, or The Discovery of Television Among the Bees navigated the competitive landscape with an audience reception score of 6.5/10. When weighing the production costs against the global returns, Wax, or The Discovery of Television Among the Bees is effectively categorized as a Average. It delivers a respectable return, ensuring confidence in future projects of similar scale.
Comparables
In the context of other Science Fiction releases, the performance of Wax, or The Discovery of Television Among the Bees will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1991 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.