
Is We Steal Secrets: The Story of WikiLeaks a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $602.0K, We Steal Secrets: The Story of WikiLeaks is declared a Disaster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Marking its arrival in 2013, We Steal Secrets: The Story of WikiLeaks positioned itself as a Documentary / Drama film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for We Steal Secrets: The Story of WikiLeaks has culminated in a worldwide gross of approximately $602.0K. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -99%. The collection trajectory points to a challenging market response, where the theatrical gross struggled to clear the traditional break-even multiplier required for production and marketing recovery.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, We Steal Secrets: The Story of WikiLeaks navigated the competitive landscape with an audience reception score of 6.6/10. When weighing the production costs against the global returns, We Steal Secrets: The Story of WikiLeaks is effectively categorized as a Disaster. The outcome highlights the risks involved in big-budget filmmaking when audience alignment is missed.
Comparables
In the context of other Documentary releases, the performance of We Steal Secrets: The Story of WikiLeaks will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2013 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.