Is When Men Carried Clubs and Women Played Ding-Dong a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30.0M, When Men Carried Clubs and Women Played Ding-Dong is declared a Disaster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
When Men Carried Clubs and Women Played Ding-Dong, released in 1971, entered the cinematic marketplace as a Comedy film. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for When Men Carried Clubs and Women Played Ding-Dong has culminated in a worldwide gross of approximately $30.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The collection trajectory points to a challenging market response, where the theatrical gross struggled to clear the traditional break-even multiplier required for production and marketing recovery.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, When Men Carried Clubs and Women Played Ding-Dong navigated the competitive landscape with an audience reception score of 2/10. When weighing the production costs against the global returns, When Men Carried Clubs and Women Played Ding-Dong is effectively categorized as a Disaster. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
Comparables
In the context of other Comedy releases, the performance of When Men Carried Clubs and Women Played Ding-Dong will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1971 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.