
Is White Hot: The Mysterious Murder of Thelma Todd a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75.0M, White Hot: The Mysterious Murder of Thelma Todd is declared a Average.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Marking its arrival in 1991, White Hot: The Mysterious Murder of Thelma Todd positioned itself as a TV Movie / Drama / Mystery / Crime film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for White Hot: The Mysterious Murder of Thelma Todd has culminated in a worldwide gross of approximately $75.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. The box office returns point to a steady but unspectacular run, with the film performing adequately within its genre expectations.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, White Hot: The Mysterious Murder of Thelma Todd navigated the competitive landscape with an audience reception score of 6/10. When weighing the production costs against the global returns, White Hot: The Mysterious Murder of Thelma Todd is effectively categorized as a Average. It delivers a respectable return, ensuring confidence in future projects of similar scale.
Comparables
In the context of other TV Movie releases, the performance of White Hot: The Mysterious Murder of Thelma Todd will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1991 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.