
Is Witchcraft V: Dance with the Devil a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $600.0K, Witchcraft V: Dance with the Devil is declared a Disaster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Marking its arrival in 1993, Witchcraft V: Dance with the Devil positioned itself as a Horror film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $1.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Witchcraft V: Dance with the Devil has culminated in a worldwide gross of approximately $600.0K. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The collection trajectory points to a challenging market response, where the theatrical gross struggled to clear the traditional break-even multiplier required for production and marketing recovery.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Witchcraft V: Dance with the Devil navigated the competitive landscape with an audience reception score of 2.2/10. When weighing the production costs against the global returns, Witchcraft V: Dance with the Devil is effectively categorized as a Disaster. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
Comparables
In the context of other Horror releases, the performance of Witchcraft V: Dance with the Devil will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1993 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.