
Is Yagyu Chronicles 3: The Valley of Outlaws a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75.0M, Yagyu Chronicles 3: The Valley of Outlaws is declared a Average.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
In the competitive landscape of 1961, Yagyu Chronicles 3: The Valley of Outlaws debuted as a highly anticipated release with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Yagyu Chronicles 3: The Valley of Outlaws has culminated in a worldwide gross of approximately $75.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. While the film found its footing, the margins suggest a moderate transition from theatrical exhibition to overall profitability, likely relying on secondary revenue streams.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Yagyu Chronicles 3: The Valley of Outlaws navigated the competitive landscape with an audience reception score of 6.3/10. When weighing the production costs against the global returns, Yagyu Chronicles 3: The Valley of Outlaws is effectively categorized as a Average. A solid success that demonstrates effective resource allocation and content-market fit.
Comparables
In the context of other contemporary releases, the performance of Yagyu Chronicles 3: The Valley of Outlaws will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1961 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.