Is 1922 Worth Watching?
Answer: Maybe not, 1922 is likely a skip if you enjoy Horror movies.
It features a runtime of 102 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:1922 is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.9/10, it has delivered a mixed experience for fans of the Horror, Crime, Drama genre.
Answer: Maybe not, 1922 is likely a skip if you enjoy Horror movies.
It features a runtime of 102 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2017, 1922 emerges as a significant entry in the Horror, Crime, Drama domain. The narrative core of the film focuses on a sophisticated exploration of A simple yet proud rancher conspires to murder his wife for financial gain, convincing his teenage son to participate. Unlike standard genre fare, 1922 attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Horror is often anchored by its ensemble, and 1922 features a noteworthy lineup led by Thomas Jane . Supported by the likes of Molly Parker and Dylan Schmid , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of 1922 (2017) is mixed. With an audience rating of 5.9/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: 1922 is a Horror, Crime, Drama film that crafts an atmosphere of dread and suspense, using psychological terror and visual scares. This summary provides a scannable look at the movie's central conflict and narrative structure.
The horror unfolds through carefully crafted atmosphere and escalating dread. A simple yet proud rancher conspires to murder his wife for financial gain, convincing his teenage son to participate. The film uses both psychological terror and visceral scares, building tension through what's unseen as much as what's shown. The pacing allows for breathing room between scares, making each frightening moment more effective.
Ending Breakdown: 1922 attempts to tie together its various plot elements. The finale presents its approach to horror resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of 1922 reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
1922 incorporates elements from real criminal cases. As a horror, crime, drama film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: 1922 adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Consider Watching If:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $5.0M |
| Worldwide Gross | $2.9M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for 1922 is $5.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










NetflixAnalyzing the audience sentiment, IMDb rating of 5.9/10, and global collection metrics, 1922 stands as a challenging project for the creators. It remains an essential piece of the 2017 cinematic year.
1922 has received mixed reviews with a 5.9/10 rating, making it a moderate success with the audience.
1922 is a mixed bag. It might be worth watching if you're a fan of Horror, Crime, Drama movies, but read reviews first.
1922 is currently available for streaming on Netflix. You can also check for it on platforms like Netflix depending on your region.
Thomas Jane's accent might be pretty hard to understand, and the story is just a just a plot you've already seen put through the Stephen King's _Children of the Corn_ wringer, but that doesn't stop 1922 from being another Stephen King adaptation we can put in 2017's "Good" column, alongside _It_ and _Gerald's Game_ (and decidedly not alongside _The Dark Tower_). _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
***There’s always another way than murder*** Two members of a corn-farming family in 1922 Nebraska commit a crime and get away with it, but do they really? Thomas Jane and Molly Parker play the parents while Dylan Schmid is on hand as the son, who’s about 15. Released in 2017, “1922” is a haunting crime drama/period piece with elements of horror, unsurprisingly based on a Stephen King story of the same name. The confined farm location, tone and even genre are akin to films like “The Messengers” (2007), “Husk” (2011) and “Signs” (2002). There’s also a nod to “Bonnie and Clyde” (1967). Thomas Jane should’ve gotten an award for his performance, as he literally disappears in the role and is unrecognizable. His farm hick accent is so thick I strongly recommend using the subtitles. The themes revolve around disloyalty, the danger of allowing hostility (hatred) to fester, the abuse of authority/manipulation and the power of conscience. The film runs 1 hour, 42 minutes and was shot, believe it or not, in Western Australia. Additional cast: Kaitlyn Bernard appears as the kid’s neighbor girlfriend and Neal McDonough her father. GRADE: B
This isn't so much a movie, as a stark - almost biblical - lesson on the reap and ye shall sow principle. Thomas Jane is unhappily married to Molly Parker. When she decides it is time to sell up their small ranch (complete with fields of tall corn!), he hits on the idea of disposing of her. He ropes in his 14 year old son Dylan Schmid and what follows is a rather beautifully shot story of retribution (divine or man-made) on the pair. This is more of a cross-thread of what happens to the two men dealing with the consequences, than a story with a narrative, and that is where the film really slows down to a rather ponderous grind. It was only ever a short-ish story from Stephen King so it was always going to be tough to properly string it out for 100 minutes and though atmospheric, it is really just a rather procedural plod of a film with little about the two men to engage sympathy. At times the imagery is graphic, but not in an especially potent way, and the dialogue seems to take for ever to make the point we have long guessed for ourselves much earlier. More of a moral message than a movie...
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.