Is 211 Worth Watching?
Answer: Maybe not, 211 is likely a skip if you enjoy Crime movies.
It features a runtime of 86 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:211 is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.3/10, it has delivered a mixed experience for fans of the Crime, Action, Thriller genre.
Answer: Maybe not, 211 is likely a skip if you enjoy Crime movies.
It features a runtime of 86 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2018, 211 emerges as a significant entry in the Crime, Action, Thriller domain. The narrative core of the film focuses on a sophisticated exploration of Inspired by one of the longest and bloodiest real-life events in police history, Officer Mike Chandler and a young civilian passenger find themselves under-prepared and outgunned when fate puts them squarely in the crosshairs of a daring bank heist in progress by a fearless team of highly-trained and heavily-armed men. Unlike standard genre fare, 211 attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Crime is often anchored by its ensemble, and 211 features a noteworthy lineup led by Nicolas Cage . Supported by the likes of Sophie Skelton and Michael Rainey Jr. , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of 211 (2018) is mixed. With an audience rating of 5.3/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: 211 is a Crime, Action, Thriller film that delves into the criminal underworld with gritty realism and moral complexity. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: 211 attempts to tie together its various plot elements. The finale presents its approach to crime resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of 211 reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
211 incorporates elements from real criminal cases. As a crime, action, thriller film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: 211 adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Consider Watching If:
| Metric / Region | Collection (Approx) |
|---|---|
| Worldwide Gross | $1.1M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |










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YouTubeAnalyzing the audience sentiment, IMDb rating of 5.3/10, and global collection metrics, 211 stands as a challenging project for the creators. It remains an essential piece of the 2018 cinematic year.
211 has received mixed reviews with a 5.3/10 rating, making it a moderate success with the audience.
211 is a mixed bag. It might be worth watching if you're a fan of Crime, Action, Thriller movies, but read reviews first.
211 is currently available for streaming on Lionsgate Play. You can also check for it on platforms like Lionsgate Play, Lionsgate Play Apple TV Channel, Lionsgate Play Amazon Channel depending on your region.
Everybody in this is just so unbelievably stupid, the closest I ever came to having a feeling watching this swill, was feeling angry. _Final rating:★ - Of no value. Avoid at all costs._
This messy, short thriller plays like a rejected Paul Haggis story. Four American mercenaries in Afghanistan are owed over a million dollars after a former boss does them wrong. Interpol Agent Rossi (Alexandra Dinu) is hot on their trail, following them back to Massachusetts, where they plan on knocking over one of the banks that their money was transferred to. First problem: when money is transferred internationally to a bank, the actual physical amount of cash doesn't magically appear at that bank. Take it from a former bank teller, it doesn't work like that. As the men get ready to storm the bank, we are introduced to a very large cast of characters whose lives will all cross that day. Retiring cop Mike (Nicolas Cage), his son-in-law/partner Steve (Dwayne Cameron), and his estranged daughter Lisa (Sophie Skelton) are one part of the puzzle. Kenny (Michael Rainey Jr.) is a bullied teen who must ride along with Mike and Steve after a misunderstanding at school while Kenny's medical professional mother (Shari Watson) worries. Rossi also hangs around the periphery, flashing an Interpol badge can get you into a lot of places in fictional Chesterford, Massachusetts, and assorted younger cops make their presence known. Everyone's stories converge in a boring, "Heat"-inspired shootout Nicolas Cage liked to sign up for these types of straight-to-video films on a weekly basis, and while it's big fun for Cage fans, some of these are a chore for the casual moviegoer. The script is confusing, and the different locations used do not mesh- a cafe explosion looks European, but in the same town, the bank robbery looks American right down to Louisiana license plates on some of the cars. I'm sure the screenwriters- another odd credit- had something bigger in mind but the film limps along full of some terrible performances from a cast given tropes, not characters, to play. Come on, the harried police commander who's getting pressured from the mayor and governor? The retiring cop? The young cop whose wife is expecting? War profiteering mercenaries? The stupid hostage who must make a break for it? Yawn. Throw this on the pile of other Cage pablum, a film that was obviously done for the paycheck. Contains some physical violence, strong gun violence, gore, some profanity
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.

