Is 31 Worth Watching?
Answer: Maybe not, 31 is likely a skip if you enjoy Horror movies.
It features a runtime of 102 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:31 is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.4/10, it has delivered a mixed experience for fans of the Horror, Thriller genre.
Answer: Maybe not, 31 is likely a skip if you enjoy Horror movies.
It features a runtime of 102 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2016, 31 emerges as a significant entry in the Horror, Thriller domain. The narrative core of the film focuses on a sophisticated exploration of Five carnival workers are kidnapped and held hostage in an abandoned, Hell-like compound where they are forced to participate in a violent game, the goal of which is to survive twelve hours against a gang of sadistic clowns. Unlike standard genre fare, 31 attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Horror is often anchored by its ensemble, and 31 features a noteworthy lineup led by Sheri Moon Zombie . Supported by the likes of Richard Brake and Meg Foster , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of 31 (2016) is mixed. With an audience rating of 5.4/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: 31 is a Horror, Thriller film that crafts an atmosphere of dread and suspense, using psychological terror and visual scares. This summary provides a scannable look at the movie's central conflict and narrative structure.
The horror unfolds through carefully crafted atmosphere and escalating dread. Five carnival workers are kidnapped and held hostage in an abandoned, Hell-like compound where they are forced to participate in a violent game, the goal of which is to survive twelve hours against a gang of sadistic clowns. The film uses both psychological terror and visceral scares, building tension through what's unseen as much as what's shown. The pacing allows for breathing room between scares, making each frightening moment more effective.
Ending Breakdown: 31 attempts to tie together its various plot elements. The finale presents its approach to horror resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of 31 reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Consider Watching If:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $1.5M |
| Worldwide Gross | $850.4K |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for 31 is $1.5M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










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Fandango At HomeAnalyzing the audience sentiment, IMDb rating of 5.4/10, and global collection metrics, 31 stands as a challenging project for the creators. It remains an essential piece of the 2016 cinematic year.
31 has received mixed reviews with a 5.4/10 rating, making it a moderate success with the audience.
31 is a mixed bag. It might be worth watching if you're a fan of Horror, Thriller movies, but read reviews first.
31 may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
_31_ was made very quickly on a shoestring budget, and it shows in Rob Zombie's worst film to date. Bizarrely though, it also features what might just be the best performance of Richard Brake's career. And that is no small feat, the man is a proven talent. Still probably skippable for the moviegoing community at large, but worth the time of a hardcore devotee. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
_31_ was made very quickly on a shoestring budget, and it shows in Rob Zombie's worst film to date. Bizarrely though, it also features what might just be the best performance of Richard Brake's career. And that is no small feat, the man is a proven talent. Still probably skippable for the moviegoing community at large, but worth the time of a hardcore devotee. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
By this point in his career, there's not much mystery left to Zombie. From his days of White Zombie to his latest musical outpourings and films, he's made his desire to have fun and his love for the grittier horror of the past well known. Zombie fans know this. We go into each new project knowing there's little chance of being surprised but hoping that it's going to be a hell of a ride of full of homages.
31 is no exception. The film opens with a scratchy, shaky cam and proceeds to introduce us to a lot of the same cast we've seen before playing the same trashy and foul-mouthed character types we've seen before. The acting is intentionally full of cheese and the setting is once again his favourite decade. If you didn't enjoy House of 1000 Corpses, The Devil's Rejects, or The Lords of Salem, there's little chance that 31 will be your cup of tea.
On one hand, I'm not disappointed. 31 is pretty much exactly what I expected it to be. On the other hand, it's clear that Zombie is capable of doing something more unique and at this point it really feels like it's time for him to -- for at least one film -- take his horror a different direction. Sure, I'm tired of the boring cleancut CGI films of the mainstream, but if anyone can make one of these that is truly gorey and scary, Zombie's the guy. I'm not saying he should stop doing what's fun for him, but some variety would be nice.
Quick notes:
- Richard Brake (Doom-Head) was perfection.
- Malcolm McDowell was underused.
- Sherri Moon Zombie wasn't the best casting choice for Charly, though I'd love to have her kicking ass here in a different capacity.
- Zombie really should make a full release of Werewolf Women of the SS.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.