Is A Shock to the System Worth Watching?
Answer: Yes, A Shock to the System is definitely worth watching if you enjoy Crime movies.
It features a runtime of 91 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:A Shock to the System is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.4/10, it has delivered a mixed experience for fans of the Crime, Comedy genre.
Answer: Yes, A Shock to the System is definitely worth watching if you enjoy Crime movies.
It features a runtime of 91 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1990, A Shock to the System emerges as a significant entry in the Crime, Comedy domain. The narrative core of the film focuses on a sophisticated exploration of When experienced advertising executive Graham Marshall loses out on a promotion to a young man, he goes down in a path of vengeance. Unlike standard genre fare, A Shock to the System attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Crime is often anchored by its ensemble, and A Shock to the System features a noteworthy lineup led by Michael Caine . Supported by the likes of Elizabeth McGovern and Peter Riegert , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of A Shock to the System (1990) is mixed. With an audience rating of 6.4/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: A Shock to the System is a Crime, Comedy film that delves into the criminal underworld with gritty realism and moral complexity. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: A Shock to the System concludes its story with a mix of closure and open interpretation. The finale presents its approach to crime resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of A Shock to the System reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
A Shock to the System incorporates elements from real criminal cases. As a crime, comedy film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: A Shock to the System adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Worth Watching If You:










Fandor
Philo
Fandor Amazon Channel
Midnight Pulp Amazon Channel
Shout! Factory Amazon Channel
Amazon Video
Amazon VideoAnalyzing the audience sentiment, IMDb rating of 6.4/10, and global collection metrics, A Shock to the System stands as a challenging project for the creators. It remains an essential piece of the 1990 cinematic year.
A Shock to the System has received mixed reviews with a 6.4/10 rating, making it a moderate success with the audience.
A Shock to the System is a mixed bag. It might be worth watching if you're a fan of Crime, Comedy movies, but read reviews first.
A Shock to the System is currently available for streaming on Fandor. You can also check for it on platforms like Fandor, Philo, Fandor Amazon Channel, Midnight Pulp Amazon Channel, Shout! Factory Amazon Channel depending on your region.
Graham has had enough of getting the shaft… A Shock to the System is directed by Jan Egleson and adapted to screenplay by Andrew Klavan from the novel written by Simon Brett. It stars Michael Caine, Elizabeth McGovern, Peter Riegert, Will Patton and Swoosie Kurtz. Music is by Gary Chang and cinematography by Paul Goldsmith. Graham Marshall (Caine) is once again overlooked for promotion and once again his harpy wife (Kurtz) belittles him.Then a heated exchange at the train station results in the accidental death of a beggar, and he gets away with it, something which gives Graham some devilish thoughts, one of Satan's light bulbs ignited above his head. By his own admission Michael Caine has readily done films just to pay the bills or build a new house. His success ratio as per great films and performances to bad films and tired performances probably stacks up as 1 in 10, consider this, in this same year he made Bullseye! What we do know though, is that when he gets it right he knocks it out the park and thus makes all his bad films easy to forgive. A Shock to the System is an under valued film on his CV, a brilliantly constructed black comedy that finds Caine effortlessly shifting through the emotional gears. From beat down Milquetoast to ruthless killer with a glint in his eye, Caine plays it to perfection. There's stabs of humour along the way, Caine a natural at this of course, and he even gets a young love interest in the form of the unbelievably cute Lizzie McGovern. Interesting to note that Graham's sex life improves greatly once the killing begins! Driven by an antagonist who toys with the audiences sympathies and moral repulsions, this is a film that's deserving of greater exposure and is ripe for re-evaluation. Great film, great Caine. 9/10
I enjoyed this. "Graham" (Michael Caine) gets a bit narked when he is overlooked for promotion at work. When he heads home, he realises that that is just the beginning of his irritations - his wife "Leslie" (Swoosie Kurtz) nags him relentlessly! What to do? Well, his house has some dodgy electrics and whilst trying to restore the lights, he gets a mild electric shock. His "Eureka" moment is upon him - he can just eliminate those who stand in his way, or annoy the hell out of him... What now ensues is a short series of cleverly thought out, well, "accidents" that enable him to rid himself of his wife and to occupy that all important corner office at work. Can he get away with it? The thing about Caine's performance here is that it engenders sympathy. You feel for the man - and I was certainly egging him on as his shenanigans start to attract the attentions of others - not least the insurance company inspector who is looking at their domestic wiring. Not even 90 minutes long, this flies by - good efforts from Caine, the usually rather bland Elizabeth McGovern, Kurtz and Peter Riegert as the smarmy, corporate man who stole his chair in the first place. Not laugh a minute, no - but it does raise a smile and make you wonder just how far you might go, if opportunity presented itself.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.


