Is A Touch of Larceny Worth Watching?
Answer: Maybe not, A Touch of Larceny is likely a skip if you enjoy Comedy movies.
It features a runtime of 93 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:A Touch of Larceny is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.9/10, it has delivered a mixed experience for fans of the Comedy, Crime genre.
Answer: Maybe not, A Touch of Larceny is likely a skip if you enjoy Comedy movies.
It features a runtime of 93 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1960, A Touch of Larceny emerges as a significant entry in the Comedy, Crime domain. The narrative core of the film focuses on a sophisticated exploration of After falling in love with an American woman, Virginia Killain, who is engaged to another man, British Naval Commander Max Easton, hatches a plan that will get him enough money to support Virginia in the lifestyle she is accustomed to. Unlike standard genre fare, A Touch of Larceny attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Comedy is often anchored by its ensemble, and A Touch of Larceny features a noteworthy lineup led by James Mason . Supported by the likes of George Sanders and Vera Miles , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of A Touch of Larceny (1960) is mixed. With an audience rating of 5.9/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: A Touch of Larceny is a Comedy, Crime film that brings laughter through clever writing and comedic timing, offering both entertainment and social commentary. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: A Touch of Larceny attempts to tie together its various plot elements. The finale presents its approach to comedy resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of A Touch of Larceny reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
A Touch of Larceny incorporates elements from real criminal cases. As a comedy, crime film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: A Touch of Larceny adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Consider Watching If:









Apple TV
Amazon VideoAnalyzing the audience sentiment, IMDb rating of 5.9/10, and global collection metrics, A Touch of Larceny stands as a challenging project for the creators. It remains an essential piece of the 1960 cinematic year.
A Touch of Larceny has received mixed reviews with a 5.9/10 rating, making it a moderate success with the audience.
A Touch of Larceny is a mixed bag. It might be worth watching if you're a fan of Comedy, Crime movies, but read reviews first.
A Touch of Larceny may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
James Mason is the caddish Royal Naval officer "Easton" killing time in his unchallenging job from day to day until he meets "Virginia" (Vera Miles) and suddenly he has to up his game - and his income. The former is easy enough, but the latter is a problem until he devises a cunning wheeze to appear to defect to the Soviets only to return, all innocent, and to sue the defaming newspapers. One additional fly in his ointment - the girl is already engaged to "Sir Charles Holland" (George Sanders). "Easton" goes to great and public lengths to implement his plan, but on his return he realises that there is far more going on than he anticipated - and we are unsure whom is the cat and whom is the mouse... Mason is great in this, he has the role of the amiable rogue down to a T, but Miles is less engaging and Sanders features a bit too sparingly to allow his character to get up much of an head of steam. It is amusing at times, though, and Guy Hamilton and a strong script keep the pace building nicely to an ending that is not without quirk or two.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.