Is Ali Worth Watching?
Answer: Yes, Ali is definitely worth watching if you enjoy Drama movies.
It features a runtime of 157 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Ali is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.8/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Yes, Ali is definitely worth watching if you enjoy Drama movies.
It features a runtime of 157 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2001, Ali emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of In 1964, a brash, new pro boxer, fresh from his Olympic gold medal victory, explodes onto the scene: Cassius Clay. Unlike standard genre fare, Ali attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Drama is often anchored by its ensemble, and Ali features a noteworthy lineup led by Will Smith . Supported by the likes of Jamie Foxx and Jon Voight , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Ali (2001) is mixed. With an audience rating of 6.8/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Ali is a Drama film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
This character-driven narrative explores the internal and external conflicts that define the human experience. In 1964, a brash, new pro boxer, fresh from his Olympic gold medal victory, explodes onto the scene: Cassius Clay. Bold and outspoken, he cuts an entirely new image for African Americans in sport with his proud public self-confidence and his unapologetic belief that he is the greatest boxer of all time. Yet at the top of his game, both Ali's personal and professional lives face the ultimate test. The screenplay takes time to develop its characters, allowing audiences to connect emotionally with their struggles and triumphs. Each scene builds upon the last, creating a cumulative emotional impact.
Ending Breakdown: Ali concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of Ali reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $107.0M |
| Worldwide Gross | $87.8M |
| Trade Verdict | CLEAN HIT |
The estimated production budget for Ali is $107.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










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YouTubeAnalyzing the audience sentiment, IMDb rating of 6.8/10, and global collection metrics, Ali stands as a successful venture for the creators. It remains an essential piece of the 2001 cinematic year.
Ali has received mixed reviews with a 6.8/10 rating, making it a moderate success with the audience.
Ali is a mixed bag. It might be worth watching if you're a fan of Drama movies, but read reviews first.
Ali may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
There are flashes of the legendary Muhammad Ali wit and quick-thinking delivery peppered throughout this otherwise rather long and ponderous story of the life of Cassius Clay from relative poverty through to his mastery of not just the boxing ring but of the television media that, at that point, fed successfully from this truly global sport. It's Will Smith who takes centre stage after his gold medal victory at the Tokyo Olympiad in 1964 and like many other pugilists in history, his character offers the down-trodden, working class, an inspiration. With sweat, tears and hard work he can escape the ghetto and have his fame and fortune, so why not them? What Michael Mann now proceeds to do is offer us a biopic of this man - of his peccadilloes, his religious beliefs, his persecution by the government when he refuses to be drafted to Vietnam and of some of his friendships with the great and the good of the equal rights movement that were gaining in prominence and effectiveness under the likes of Malcolm X (Mario Van Peebles). We are presented with a plausibly flawed individual, but one who is a proud and savvy man who knows just how to push the buttons to keeps his life-blood's publicity machine going. To that end, here, Smith is well supported by Jamie Foxx's "Bundini", the long-suffering Angelo Dundee (Ron Silver) and by Jon Voight as his follicularly challenged media foil from ABC television - Howard Cosell. It's Smith that rather underwhelms. He delivers the set-pieces well enough, presumably he could rehearse them - but the rest of his persona is all rather weak, undercooked and I felt really over-written. There's way too much melodrama and speculation and not enough of what made the man an household name (and favourite) in the first place - his fighting. For such a rich source this is all rather meandering and lacking in substance. Maybe we could have directors cut - only 45 minutes shorter?
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.