Alien: Romulus

'Alien: Romulus' is actually very good. Of the more modern day releases from this franchise, this is the one I've enjoyed the most. When I was immediately coming out of the cinema I was just plainly thinking of it as being solidly good, however the more I think about it the more I had fun with this seventh installment. The plot, or at least the set-up to it, is quite uncreative, as in I feel like so many films - from this series included - have a crew make-up of similar people and similar characteristics/motivations; 'Crater' and 'I.S.S.' (both very good, don't get me wrong) are recent examples that spring to mind. Happily, though, the rest of the flick makes up for any weakness in that area. Cailee Spaeny and David Jonsson are the great performers in this, I found them both to be excellent throughout. Two actors I want to see much more of, having already seen them in a few pleasing pictures; e.g. 'Civil War' and 'Rye Lane'. I also liked the sound design and even the jump scares, which I'm not usually a fan of (bit lazy etc.) but there is enough about how they do them here that it works. Those facehuggers remain brilliantly effective, though the xenomorph isn't amazingly utilised - the human version didn't hit for me, felt 'I Am Legend'-esque. All in all, it's up there as one of my favourites from the franchise. For me, 'Alien' and 'Aliens' just narrowly better this, though it's a marginal improvement on (the entertaining) 'Alien Resurrection' and it surpasses every other release, in my eyes.

I gather director Fede Alvarez made a conscious - and probably expensive - decision to keep the use of CGI to a minimum here and it really does work. "Rain" (Cailee Spaeny) and her "brother" are looking to get off-planet but she can't get travel papers from the all-powerful mining company. Desperate, she and "Andy" (David Jonsson) are offered a chance by wide boys "Tyler" (Archie Renaux) and "Bjorn" (Spike Fearn) to raid a decrepit old spacecraft that appears to be in a decaying orbit, so they can pinch it's cryogenic pods and enable them all to escape to another planet out of reach of their enthralling taskmasters. Off they set onto the "Romulus" and that's where, well you just know what's going to happen now, as they inadvertently turn the central heating on and find themselves in mortal danger. "Andy" just happens to be a synthetic, which proves especially useful when they discover the remains of "Rook" (the spitting image of the late Sir Ian Holm) but is this oozing mess of gunge and wiring actually an help or an hindrance? Getting off is going to be a lot harder than getting on! To be honest, the acting here is really neither here nor there. Renaux and Isabella Merced - their cohort "Kay" do enough, Fearn rather over-plays his chip-on-the-shoulder character and there's a slightly soporific effort from Jonsson, but that's not what I was watching for. This is all about the best monsters sci-fi cinema has ever created, and right from their first appearance I was in their corner. There's loads of darkly shot menace crammed into the two hours with plenty of references to it's originator and even more insinuations about the greed of a "company" that doesn't know when to leave well alone. Just like the other "Alien" films, it takes a Russian Doll approach to the ending, so don't think we're going to get off with just the one, definitive, "get away from her..." moment, and of course the lift plays a pivotal part in the proceedings as acid blood drips everywhere. It's not so good as the first two Sigourney Weaver outings, but slips neatly into bronze medal position for me in a series that can still prove quite compellingly scary. It's a cinema must - telly just won't do the lighting and photography justice at all.

Whilst not as awful as the Aliens franchise films that came after the excellent first and second films, starring Sigourney Weaver, Alien Romulus is not without its shortcomings. Whats immediately noticeable, in spite of the rugged, industrial setting, is a cast that look like they just escaped from the set of Beverly Hills 90210. Youthful, fresh faced, physically unimposing, with not a grease stain or blemish in sight, they feel badly out of place. If you can put the sense of disbelief regarding the casting aside (I couldn't) the actual story fares only marginally better. It feels like a borrowed affair, where its taken aspects of the first two successful films and tried to craft a newer iteration. The results an alright, if at times, somewhat ridiculous story, punctuated by moments of compelling action. That said, haven't we seen it all before, in one form or another? In summary, miscasting combined with a story that blandly apes superior earlier films, leads to an "okay" watch that's fails to distinguish itself.If you are new to this franchise, my advice start with Alien from 1979 and then its plural successor Aliens, instead.

Color me thoroughly surprised at how much I was delighted by “Alien: Romulus,” a highly creative, beautifully executed, pulse-pounding science fiction film from director Fede Alvarez. This sequel is a rare gem in the world of big budget franchise flicks because it not only respects its predecessors with thoughtfully well done homages, but also pushes the boundaries of the universe it inhabits with inventive set pieces and a plausible story. Fans of the series and the genre are in for a real treat. Going back to the roots of the “Alien” franchise, the film tells the story of a group of young space colonizers (Cailee Spaeny, David Jonsson, Archie Renaux, Isabela Merced, Aileen Wu, and Spike Fearn)who are looking for a way out of their current situation as hard laborers on a sunless planet. While searching the universe, they encounter a decommissioned ship that has enough supplies to take them far, far away. Intent on scavenging, the group makes a risky voyage into space where they get far more than they bargained for: a face-to-face encounter with a terrifying life form from which they may have no hope of escape. The strength of the story is also in its simplicity, and Alvarez uses swift pacing and straightforward character development to create an irresistible hook for audiences. He creates a crackerjack blend of suspense, horror, and science fiction that not only hearkens back to the original films, but also offers up something fresh and modernized for a new generation. Even better, the film is very dark and isn’t dumbed down for casual viewers, which shows a great deal of respect to long-time sci-fi fans. This isn’t just another sequel that is exploiting a franchise’s good will, it actually has some substance. There’s an atmosphere of dread that commands most of the movie, and the action scenes are imaginative and inspired. I was on the edge of my seat multiple times, and several of the set pieces are visually fun, too. The special effects are not flashy or over-polished like the ones that tend to dominate modern blockbusters (even the alien creature itself remains largely unchanged from its original, iconic 1979 design), which turns out to be the perfect complement to the film’s strong narrative foundation. Heightened tension and fear is created through well-crafted suspense rather than constant visual bombardment. There’s a level of sophistication here that elevates it beyond a mere retread of past “Alien” films. I was especially surprised about how quickly I started to care about the characters, who don’t exactly give off the best first impression (they seem like they will be stereotypical and highly annoying, but that’s not the case). As the story unfolds, so do the layers of depth and complexity, both which make the fate of these friends matter. The film is well cast, and Spaeny’s versatility shines through in a role that requires both emotional range and physical intensity. The film is willing to take risks, especially when it comes to killing off characters. The unpredictability of who will survive and who has the wits to escape from harrowing situations adds another layer of tension and sense of danger. Nothing here feels preordained, and that in itself is exciting. “Alien: Romulus” is a wildly satisfying addition to the franchise because it’s a film that understands what made the original great and uses those elements to create something new and exciting. It succeeds in paying homage to its predecessors while also forging its own identity, honoring its legacy in a way that will have sci-fi nerds salivating for future installments. By: Louisa Moore / SCREEN ZEALOTS

FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/alien-romulus-review-an-audiovisual-triumph-held-back-by-reverence-to-the-past/ "Alien: Romulus is an impressive technical spectacle that highlights Fede Álvarez's talent in creating an atmosphere of tension and horror, raising the audiovisual standard of the saga to new heights through immersive sound design and Galo Olivares' stunning cinematography, which deserves countless accolades. However, its excessive reliance on references to the past prevents it from reaching its full narrative potential, as well as achieving a thematic impact similar to the franchise's best installments. Despite this, the captivating performances of Cailee Spaeny and David Jonsson, along with a third act filled with insane entertainment, make this interquel a cinematic experience worth seeing in IMAX, even if it leaves the feeling that it could have been more daring and innovative." Rating: B+

Well, it was done appreciating the first Alien film, but it’s still offered nothing new for me.

Alien: Romulus is a love letter to the 1979 classic, and while I dug the whole philosophical space-god thing in Prometheus, this stripped-down, back-to-basics approach had me hooked from the first frame. It's been a while since an Alien film truly captured that sense of claustrophobic dread, and Romulus nails it. This movie is gorgeous, plain and simple. The lighting, the camera angles, and Benjamin Wallfisch's score – it all blends together to create this constant tension that just sucks you in. There's this one scene where Rain, Andy and Tyler are being chased through the research station, the way they use the shadows and movement, it's like a masterclass in suspense. It totally reminded me of the most terrifying moments from the original. It's obvious Álvarez was obsessed with recreating that gritty, lived-in feel of the first Alien, and it pays off big time. The cast is solid too. Cailee Spaeny and David Jonsson absolutely kill it as Rain and Andy. I'll admit, I was worried Andy would be your typical forgettable sidekick, but he actually gets a pretty interesting arc. Sure, most of the crew are basically there to get picked off by the Xenomorph, but Andy was a standout supporting character. He basically played two roles. It's refreshing that the movie doesn't waste time with a bunch of unnecessary characters. One thing this movie does really well is finding that sweet spot between horror and action that made the first two films so iconic. Alien 3 was so bleak, and Resurrection was just bonkers action – this one feels like a proper blend of both. Fede Álvarez basically throws in all the best Alien tropes: the ragtag crew, the creepy body horror stuff, the tense hide-and-seek scenes, and some kickass action sequences. And you know what? It totally works. I was impressed at a lot of the creative set pieces and how they built tension. Like how they played with gravity to avoid the acid and trying to sneak past the facehuggers by camoflaging their body temperature. They were really cool and shockingly unique and fresh for a nearly 50 old franchise. And let's talk about that body horror. There's this one scene, a seriously messed-up vaginal birth, that is going to be burned into my brain for a while. Álvarez definitely gets what makes this franchise tick. I'm giving Alien: Romulus a strong 7/10. It lost some points for the use of the CGI Ian Holm. It's so distracting, and they rely on it way too much. Also, there some lines that were stuck in there for nostalgia that felt out of place. But honestly, those are minor nitpicks in a movie that's this much fun. The whole final act, with the station crashing into the asteroid field and that epic showdown with the Human/ Xeno, is just pure chaos in the best way possible. Alien: Romulus is a worthy successor to the Alien throne. It's a visual treat, a thrilling ride, and a damn good reminder of why we love this franchise in the first place.

This was a great movie and a great continuation of Alien series. I think it deserves solid, perfect 10/10. I couldn't see any flow, everything was great.

This is a great B-movie for people looking for a bit of a thrill.

**Maybe the best "Alien" movie after "Aliens", but at least as good as Prometheus (but in a different way)** I enjoyed this movie a lot. It didn't try to be edgy or special - it seems to be directed by a guy who loved the first 2 Alien movies from the 80ies and wanted to add a movie as best as he could do in our time which is still faithful to those 2 original movies and could be considered a worthy addition to the original "Alien" storyline. The acting was overall very good. Cailee Spaeny as the lead actress gave a solid performance as expected. But the surprise of the movie was David Jonsson as her android "brother", who was the highlight of the movie actingwise for me. Another main thing to mention are the effects and set desing. A lot of great practical effects, lighting and cinematography and the set design which is faithful to that of the first 2 Alien movies make this movie a great enjoyment for anyone who like the. So, if you love the first 2 Alien movies - this movie is for you!

"Alien: Romulus" is a visually admirable film, but it really has nothing new to show us and even worse than that it has nothing fresh to say. It is merely content to plunder inspiration from the preceding films and the only entry in the series which appears to be left unplundered is "Alien 3" (1992), but then this omission can hardly be described as surprising. After all, it isn't held in particularly high regard by the legions of loyal fans who absolutely adore these films for their often groundbreaking achievements and idolise the inexhaustible resourcefulness of Ellen Ripley. Unfortunately, these same loyal fans aren't going to find anything worth adoring or idolising in this latest effort. It is still a reasonably entertaining motion picture, but only because you can spend most of the running time attempting to guess which scene comes from which film in order to appease your overwhelming sense of disappointment with it all.

The Alien franchise has had its ups and downs with mostly the latter in recent years. This latest one, which takes place in between Alien: Covenant and Alien in the timeline, is a solid entry from Fede Alvarez and is more in the vein of the first film in terms of look and tone. The story is pretty basic and no real twists that we haven't seen before in the franchise, but I did like the lead actress Cailee Spaeny. The classic line, "Getaway from her you bitch" was delivered as great as Bale's "I'll be back" from Terminator Salvation (meaning not very well). Still, an all around entertaining sci-fi horror film that has great effects, both practical and CGI. **3.5/5**

Fede Álvarez delivers a film in Alien: Romulus that tries to revitalize the franchise but stumbles on several key aspects. While visually appealing and faithful to the oppressive atmosphere characteristic of the saga, the movie lacks a solid narrative and memorable characters. The script relies too heavily on genre clichés, with bland dialogue and unconvincing decisions from its protagonists. Attempts to explore philosophical themes about survival and human nature remain superficial, leaving the impression that the film tries to tackle more than it can handle. Álvarez’s direction, which has shone in the past with more intimate horror projects, feels overwhelmed in such an established universe. The moments of tension and terror fail to achieve the desired impact, falling into an uneven rhythm that alternates between dull and predictable. For the most devoted fans of Alien, this installment is particularly disappointing. In an unfortunate parallel to Disney's mishandling of the Star Wars saga, Romulus feels like a production that prioritizes franchise formulas over true innovation or respect for the original spirit. Rather than expanding the Alien legacy, the film dilutes it, leaving a bitter aftertaste for fans who had expected much more. Ultimately, Alien: Romulus fails to live up to its heritage, becoming a missed opportunity and a reminder that not all cinematic revivals are necessary.

Alien: Romulus starts off promising enough, with interesting takes on the dystopian world of the Alien franchise combined with beautiful cinematography and a creepy atmosphere. But around the half-hour mark, it starts going downhill — and accelerates with every passing minute. The worst part is the incessant and extremely annoying fan service and visual callbacks to the previous movies, combined with a horrible CGI re-creation of Ash from Alien. These moments take you out of the film completely and utterly ruin whatever atmosphere or build-up the director had going. It’s like an ignored child shouting for attention: “Look at me, look at me! Remember this famous line from Aliens? Huh? Do you? What about this one from Alien? Huh? Do you? Aren’t we clever for putting it here in the movie?” It’s frustrating. Combine that with a plot that’s basically a rehash of Alien and Prometheus, and you have a movie that feels uninspired and predictable. The young cast also gives Alien: Romulus a whole “Camp Crystal in spaaaace” vibe, which doesn’t help. There are some good moments, though — a few innovative action scenes, and David Jonsson is genuinely great as the android Andy. However, these few flashes of brilliance aren’t enough to save the movie from mediocrity.