Appointment for Love
Performance & Direction: Appointment for Love Review
Last updated: January 24, 2026
Quick Verdict: Hit or Flop?
Is Appointment for Love (1941) worth watching? According to our cinematic analysis, the film stands as a AVERAGE with a verified audience rating of 5.4/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Comedy.
Cast Performances: A Masterclass
The success of any Comedy is often anchored by its ensemble, and Appointment for Love features a noteworthy lineup led by Charles Boyer . Supported by the likes of Margaret Sullavan and Rita Johnson , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
In summary, our editorial assessment of Appointment for Love (1941) is mixed. With an audience rating of 5.4/10, it stands as a decent one-time watch.
Story & Plot Summary: Appointment for Love
Quick Plot Summary: Appointment for Love is a Comedy, Romance film that brings laughter through sharp writing and comedic timing, providing amusement while touching on deeper societal themes. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: Appointment for Love
Ending Breakdown: Appointment for Love attempts to tie together its various plot elements. The finale presents its approach to comedy resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the comedy themes established throughout the runtime.
The final moments of Appointment for Love reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Appointment for Love?
Consider Watching If:
- You're a completist for Comedy films
- You're curious despite mixed reviews
- You have low expectations and want casual entertainment
Top Cast: Appointment for Love
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Appointment for Love Parents Guide & Age Rating
1941 AdvisoryWondering about Appointment for Love age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Appointment for Love is 89 minutes (1h 29m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 5.4/10, and global performance metrics, Appointment for Love is classified as a AVERAGE. It remains an essential part of the 1941 cinematic calendar.
Frequently Asked Questions
Is Appointment for Love worth watching?
Appointment for Love is definitely worth watching if you enjoy Comedy movies. It has a verified rating of 5.4/10 and stands as a AVERAGE in our box office analysis.
Where can I find Appointment for Love parents guide and age rating?
The official parents guide for Appointment for Love identifies it as NR. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Appointment for Love?
The total duration of Appointment for Love is 89 minutes, which is approximately 1h 29m long.
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Critic Reviews for Appointment for Love
“Jane” (Margaret Sullavan) falls asleep during one of the plays of “André” (Charles Boyer) and in the kerfuffle that ensued, he assumes she is ill, discovers that she is a doctor and engages in a whirlwind romance that ends up with them married. They are both busy people, though, so it takes some time before they are able to get together for the first time as a married couple and then to his horror, he realises that she is very much an independent spirit. She takes an apartment on the twenty-second floor of his building, and with him on the seventeenth she proposes - much to the bemusement of the elevator boy - to visit him, or he her, from time to time. He’s having none of this but hasn’t really a clue how to rectify matters. Both are egged on by their friends and after a while they wonder just what ever possessed them to wed in the first place. Is it all doomed to failure, or might there be room for an accommodation - perhaps on the 20th floor? It’s the supporting efforts from Eugene Pallette and Reginald Denny that raise the odd smile here, but I didn’t find there to be very much chemistry between Boyer and Sullavan and the original joke starts to wear thin too quickly. Thereafter the scenarios are all just a bit repetitive and barring the odd quip there is a great deal of dialogue that doesn’t really advance the plot very much. It’s not so much a battle of the sexes, more a slight skirmish that passes the time effortlessly enough, but is unlikely to ever merit a second visit.
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.










