Is Backlash Worth Watching?
Answer: Maybe not, Backlash is likely a skip if you enjoy Crime movies.
It features a runtime of 66 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Backlash is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 4.7/10, it has delivered a mixed experience for fans of the Crime, Mystery genre.
Answer: Maybe not, Backlash is likely a skip if you enjoy Crime movies.
It features a runtime of 66 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1947, Backlash emerges as a significant entry in the Crime, Mystery domain. The narrative core of the film focuses on a sophisticated exploration of In a series of flashbacks, shows that attorney John Morland has given a lift to a hitchhiker who turns out to be a murderer. Unlike standard genre fare, Backlash attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Crime is often anchored by its ensemble, and Backlash features a noteworthy lineup led by Jean Rogers . Supported by the likes of Richard Travis and Larry J. Blake , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Backlash (1947) is negative. With an audience rating of 4.7/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Backlash is a Crime, Mystery film that delves into the criminal underworld with gritty realism and moral complexity. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Backlash attempts to tie together its various plot elements. The finale presents its approach to crime resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of Backlash reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Backlash incorporates elements from real criminal cases. As a crime, mystery film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: Backlash adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Consider Watching If:










Analyzing the audience sentiment, IMDb rating of 4.7/10, and global collection metrics, Backlash stands as a challenging project for the creators. It remains an essential piece of the 1947 cinematic year.
Backlash is considered a flop based on audience ratings of 4.7/10 and lower collections.
Based on the low rating of 4.7/10, Backlash may not be worth watching unless you are a die-hard fan.
Backlash may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Yikes, but there's a load of dialogue in this film-noir. It's almost exhausting to listen to after a period of relentless chatting and precious little actual action. "Moreland" (John Eldrdge) features much more prominently in this detective yarn about his own murderer than you might expect. That's because it's told via a series of flashbacks as the pursuing police detective "McMullen" (Larry J. Blake) interviews all the suspects and tries to piece together the evidence from his widow "Catherine" (Jean Rogers), the DA "Conroy" (Richard Travis) and just about everyone else from within a ten mile radius of the crime. Thing is - there is a twist, and one hell of twist at that, and that leaves "McMullen" and his theories all well and truly up in the air. We are given enough clues to anticipate the denouement, but Eugene Forde still manages to keep us guessing for some of this - it's just that there's way too much verbiage and the retrospective style of storytelling is a bit repetitive after a while. None of the acting, or the writing, really sets the heather on fire and at times it felt like quite a long hour-long watch. Watchable, but forgettable.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.