Is Bad Channels Worth Watching?
Answer: Maybe not, Bad Channels is likely a skip if you enjoy Science Fiction movies.
It features a runtime of 88 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Bad Channels is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 4.9/10, it has delivered a mixed experience for fans of the Science Fiction, Comedy, Horror genre.
Answer: Maybe not, Bad Channels is likely a skip if you enjoy Science Fiction movies.
It features a runtime of 88 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1992, Bad Channels emerges as a significant entry in the Science Fiction, Comedy, Horror domain. The narrative core of the film focuses on a sophisticated exploration of An alien determined to capture human females takes over a radio station to do it. Unlike standard genre fare, Bad Channels attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Science Fiction is often anchored by its ensemble, and Bad Channels features a noteworthy lineup led by Robert Factor . Supported by the likes of Martha Quinn and Aaron Lustig , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Bad Channels (1992) is negative. With an audience rating of 4.9/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Bad Channels is a Science Fiction, Comedy, Horror film that explores futuristic concepts and technological possibilities while examining humanity. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Bad Channels attempts to tie together its various plot elements. The finale presents its approach to science fiction resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of Bad Channels reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Consider Watching If:






Analyzing the audience sentiment, IMDb rating of 4.9/10, and global collection metrics, Bad Channels stands as a challenging project for the creators. It remains an essential piece of the 1992 cinematic year.
Bad Channels is considered a flop based on audience ratings of 4.9/10 and lower collections.
Based on the low rating of 4.9/10, Bad Channels may not be worth watching unless you are a die-hard fan.
Bad Channels may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
**_Fun campy sci-fi/horror with a score by Blue Oyster Cult_** After the sighting of a UFO near a remote radio station in SoCal, an extraterrestrial takes over the station with a DJ & a crewmember stuck inside. The being apparently wants to use the air waves to apprehend attractive females, but the process involves shrinking them. "Bad Channels" (1992) is amusing in a hammy way with its creative story and three great rock/metal video sequences: “Somewhere in the Night,” written & sang by Ron Keel, “Touching Myself Again” by DMT and “Manic Depresso (I’m So Happy)” by Sykotik Sinfoney. This was the only movie score done by Blue Oyster Cult. They also have two songs on the soundtrack, “Out of the Darkness” and “Demon’s Kiss," not to mention the uncredited "The Horsemen Arrive." It's cut from the same cloth as, say, "Hard Rock Zombies” mixed with "Shock 'Em Dead." Fans of "Trick or Treat" (1986) should appreciate it, although it’s not as serious as that one. Like I said, it’s very campy. It sort-of sets up events in “Dollman vs. Demonic Toys,” which came out the next year and is also a sequel to “Demonic Toys.” There’s a post-credits sequence that shows Dollman just outside of town talking about getting together with the female that's still shrunk. (Dollman is otherwise nowhere to be found). The statuesque Nurse Ginger, played by Melissa Behr, resurfaces in “Dollman vs. Demonic Toys.” Other notables on the feminine front are: Martha Quinn (Lisa Cummings), Charlie Spradling (Cookie) and Daryl Strauss (Bunny). The flick runs about 1 hour, 28 minutes, and was shot in Los Angeles. GRADE: B-
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.