Is Beyond a Reasonable Doubt Worth Watching?
Answer: Maybe not, Beyond a Reasonable Doubt is likely a skip if you enjoy Thriller movies.
It features a runtime of 105 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Beyond a Reasonable Doubt is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.7/10, it has delivered a mixed experience for fans of the Thriller genre.
Answer: Maybe not, Beyond a Reasonable Doubt is likely a skip if you enjoy Thriller movies.
It features a runtime of 105 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2009, Beyond a Reasonable Doubt emerges as a significant entry in the Thriller domain. The narrative core of the film focuses on a sophisticated exploration of Remake of a 1956 Fritz Lang film in which a novelist's investigation of a dirty district attorney leads to a setup within the courtroom. Unlike standard genre fare, Beyond a Reasonable Doubt attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Thriller is often anchored by its ensemble, and Beyond a Reasonable Doubt features a noteworthy lineup led by Jesse Metcalfe . Supported by the likes of Amber Tamblyn and Michael Douglas , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Beyond a Reasonable Doubt (2009) is mixed. With an audience rating of 5.7/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Beyond a Reasonable Doubt is a Thriller film that builds tension through unpredictable twists and keeps audiences guessing until the final reveal. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Beyond a Reasonable Doubt attempts to tie together its various plot elements. The finale presents its approach to thriller resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of Beyond a Reasonable Doubt reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Consider Watching If:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $25.0M |
| Worldwide Gross | $4.4M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Beyond a Reasonable Doubt is $25.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.







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Fandango At HomeAnalyzing the audience sentiment, IMDb rating of 5.7/10, and global collection metrics, Beyond a Reasonable Doubt stands as a challenging project for the creators. It remains an essential piece of the 2009 cinematic year.
Beyond a Reasonable Doubt has received mixed reviews with a 5.7/10 rating, making it a moderate success with the audience.
Beyond a Reasonable Doubt is a mixed bag. It might be worth watching if you're a fan of Thriller movies, but read reviews first.
Beyond a Reasonable Doubt may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Why would a man frame himself... for murder? Beyond a Reasonable Doubt is directed by Peter Hyams and Hyams adapts the screenplay from Douglas Morrow's story/screenplay for the 1956 film of the same name. It stars Jesse Metcalfe, Amber Tamblyn, Michael Douglas, Joel David Moore and Orlando Jones. Music is by David Shire and Hyams also tackles cinematography duties. C.J. Nicholas (Metcalfe) is a journalist aiming for high things. He is convinced that high profile lawyer Mark Hunter (Douglas) is corrupting legal issues and sets about proving it... The 1956 film was the great Fritz Lang's last American film, more court drama than being overtly film noir, it was a film well tuned into legalities of its time. Hyams here updates to a modern era setting and it is fanciful - due to the advancements in technology - in the extreme. Of course those things can often be forgivable if the film is well put together and holds some thriller/drama weight. The look of the film is cheap, as in a TV movie look, with the cinematography uninspiring, the young cast members hardly turn in characterisations to care for, while Douglas (who is very good) is surprisingly under used. The story is a fascinating one as per human foibles, and there's a double whammy stroll down twister street that lifts the film to a rewarding closure. But it's still a disappointment, and this even if you haven't seen Lang's far superior 56 film. 6/10
The only thing that’s beyond a reasonable doubt here is this movie’s stupidity. The film opens with District Attorney Mark Hunter (Michael Douglas) addressing the jury at a murder trial: “The defense would like to tell you that our entire case is circumstantial. There are no eyewitnesses, no ballistic match, no alibi." Odd. One would think that a prosecutor who has scored 17 murder convictions in a row would view the absence of an alibi as something that favors the prosecution and not the defense. Reporter C.J. Nicholas (Jesse Metcalfe) is convinced that Hunter is corrupt; all 17 convictions were decided by DNA evidence that Nicholas is certain was planted in some way by Hunter. For example, a cigarette butt photographed at a crime scene belongs to a cigarette the defendant is shown smoking in an interrogation video; Nicholas's boss asks him rhetorically, "How could someone plant the cigarette at the crime scene when the interrogation took place three days after the crime scene photographs were taken?" Undaunted, Nicholas concocts a harebrained scheme to frame himself for the murder of a prostitute using circumstantial evidence (we know it’s harebrained because is a Life of David Gale ripoff). This includes buying a balaclava (and macing it while he’s wearing it. D’oh!) and a pair of sneakers from an "extremely rare" brand that "they stopped making in 1999." These shoes leave a footprint that matches in “size and weight” one found at the crime scene. I'd say this is a hint that (spoiler) Nicholas is the killer after all (otherwise the "size and weight" thing would be a huge coincidence), but that would be giving Hyams too much credit — especially considering that Nicholas forces a poor Jack Russell to bite him in the calf of his left leg, to recreate the bite received by the murderer courtesy of a witness's dog; however, since he really is the killer, this means he already has a bite mark. The second bite occurs off-camera, which leads me to assume either Nicholas managed to get the second dog to bite him in exactly the same place as the first, or that Corey (Joel David Moore), his friend and accomplice (in everything but the murder), who is also supposedly a journalist, is unable to tell the difference between a fresh dog bite and an old one. And let's not even talk about the sneakers of which Nicholas actually owns two pairs (so much for «extremely rare»). The icing on the bullshit cake is that Nicholas's plan depends entirely on Hunter actually being corrupt and willing to plant evidence, even though it's been well established that this is nothing more than a hunch on Nicholas's part, all his evidence of it nothing but pure speculation.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.


