Is Blackmailed Worth Watching?
Answer: Maybe not, Blackmailed is likely a skip if you enjoy Crime movies.
It features a runtime of 85 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Blackmailed is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 2.7/10, it has delivered a mixed experience for fans of the Crime, Drama, Thriller genre.
Answer: Maybe not, Blackmailed is likely a skip if you enjoy Crime movies.
It features a runtime of 85 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1951, Blackmailed emerges as a significant entry in the Crime, Drama, Thriller domain. The narrative core of the film focuses on a sophisticated exploration of A blackmailer is murdered, and those who witnessed the scene agree to keep quiet; the complication is that the scene is also witnessed by a young artist, a victim of blackmail as well. Unlike standard genre fare, Blackmailed attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Crime is often anchored by its ensemble, and Blackmailed features a noteworthy lineup led by Mai Zetterling . Supported by the likes of Fay Compton and Dirk Bogarde , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Blackmailed (1951) is negative. With an audience rating of 2.7/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Blackmailed is a Crime, Drama, Thriller film that delves into the criminal underworld with gritty realism and moral complexity. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Blackmailed attempts to tie together its various plot elements. The finale presents its approach to crime resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of Blackmailed reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Blackmailed incorporates elements from real criminal cases. As a crime, drama, thriller film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: Blackmailed adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Consider Watching If:










Analyzing the audience sentiment, IMDb rating of 2.7/10, and global collection metrics, Blackmailed stands as a challenging project for the creators. It remains an essential piece of the 1951 cinematic year.
Blackmailed is considered a flop based on audience ratings of 2.7/10 and lower collections.
Based on the low rating of 2.7/10, Blackmailed may not be worth watching unless you are a die-hard fan.
Blackmailed may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
This is quite a cleverly conceived drama that does ask us whether, ever, two wrongs might actually make a right. It’s after “Mary” (Shirley Wright) is involved in a road accident that hospital almoner “Mrs. Christopher” (Fay Compton) is called in to comfort the injured woman and finds herself charged with delivering an envelope. Inadvertently, she walks in on the nasty “Sine” (James Robertson Justice) in the middle of blackmailing a young woman. A scuffle ensues and next thing, she, “Carol” (Mai Zetterling) and “Dr. Freeman” (Robert Flemying) have quite an headache. That only gets worse when “Munday” (Dirk Bogarde) walks in on this lurid scene then promptly scarpers. With a police investigation imminent, the folks try to go about their day-to-day business only to find a series of seemingly unrelated incidents gradually and somewhat nervously brings them all together and facing a tough decision. It’s quite a good idea, this, but the execution is all rather bitty. At times it comes across as an amalgam of other Bogarde films only here serendipity plays maybe just too much of a role as we build to a vaguely comedic, convenient, denouement. There’s a bit more of a substantial role here for Michael Gough as the bed-ridden husband “Maurice” which he delivers quite well, but there’s little chemistry between Zetterling and Flemying and Compton seemed content to settle for offering us a gentle, softly lit, impersonation of Dame May Whitty. It was lost for a long time, apparently, which is quite curious given it’s cast but not so much given it’s substance.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.