Is Carry On Abroad Worth Watching?
Answer: Yes, Carry On Abroad is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 88 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Carry On Abroad is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.3/10, it has delivered a mixed experience for fans of the Comedy genre.
Answer: Yes, Carry On Abroad is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 88 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1972, Carry On Abroad emerges as a significant entry in the Comedy domain. The narrative core of the film focuses on a sophisticated exploration of A group of holidaymakers head for the Spanish resort of Elsbels for a 4-day visit. Unlike standard genre fare, Carry On Abroad attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Comedy is often anchored by its ensemble, and Carry On Abroad features a noteworthy lineup led by Sidney James . Supported by the likes of Kenneth Williams and Charles Hawtrey , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Carry On Abroad (1972) is mixed. With an audience rating of 6.3/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Carry On Abroad is a Comedy film that brings laughter through clever writing and comedic timing, offering both entertainment and social commentary. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Carry On Abroad concludes its story with a mix of closure and open interpretation. The finale presents its approach to comedy resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of Carry On Abroad reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $283.2K |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Carry On Abroad is $283.2K. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.









Amazon VideoAnalyzing the audience sentiment, IMDb rating of 6.3/10, and global collection metrics, Carry On Abroad stands as a challenging project for the creators. It remains an essential piece of the 1972 cinematic year.
Carry On Abroad has received mixed reviews with a 6.3/10 rating, making it a moderate success with the audience.
Carry On Abroad is a mixed bag. It might be worth watching if you're a fan of Comedy movies, but read reviews first.
Carry On Abroad may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Package Holiday Piffery. The 24th film in the Carry On series finds the cast partaking in a package holiday to Els Bels. Once arriving they find their hotel still under construction and nobody much likes the company they are in! This is actually one film that boasted the most regular Carry On cast members, something which carries the pic up above and through some choppy waters. Leaning heavily towards the more bawdy side of the franchise, it obviously couldn't appeal to everyone. This is the 1970s in Britain and it was becoming a place of decadent sexuality, which sees the makers earnest in their attempts to capture the zeitgeist of the time. Also one tends to think they had to be aware of the more openly sexual nature of some other comedy films of the era, thus they had to compete. This is great fun for series fans, an absolute ramshackle holiday experience, the very definition of a cheap deal that "WAS" too good to be true. The makers bombard us purposely with stereotypes - the Brits abroad crassness, the bad food and excessive drinking, the undersexed and the oversexed clientèle, bad weather, nudity, a raucous set to at a red light establishment, sexual stimulants and on it goes - no sand pebble is left unturned. Cast are great, reliable sorts with such cheeky material to work from. Peter Buterworth takes the leading honours as the hotel manager trying to convince everyone this hotel from hell is a paradise! and he is well supported by June Whitfield who makes of her more expansive ventures into the series. The double entendre's flow, the chaotic scenes stack up and the corn is well and truly laid on a plate. Suffice to say this is not about pathos or intelligent meanings! The finale is two-fold and great for fans, the drunken party on the last night at the hotel literally is crash bang and wallop, while the collective character closure at Sid and Joan's English bar has a warmness to it that fans can relate to. Charles Hawtrey, the legendary skeleton on legs, left the series here, playing an alcoholic rogue, the makers accepting his real life issues and incorporating it into his farewell performance for some poignant reflection. 7/10
So this time, our gang of double-entendre specialists head to the resort of "Elsbels" on the Costa somewhere for a long weekend. Of course the hotel isn't finished, and that's not the only thing that isn't. Though at times it is quite amusing, for the most part the script just plays to the talent and they are not really on best form. We are frequently left with some overly contrived stereotypes and a humour that is just a bit too coarse. Not that there isn't smut a-plenty in the others of this franchise, but that is usually a little more subtle. To be fair, it doesn't hang about - the gags come thick and fast, and are delivered by a well-oiled machine that knows exactly what it is doing. Sadly, though, it has aged badly and though I reckon the female characters fare slightly better than the men on the humour front, nobody here can say this is their finest work - not even the donkey.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
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