Carry On Behind
Performance & Direction: Carry On Behind Review
Last updated: January 23, 2026
Quick Verdict: Hit or Flop?
Is Carry On Behind (1975) worth watching? According to our cinematic analysis, the film stands as a AVERAGE with a verified audience rating of 5.4/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Comedy.
Cast Performances: A Masterclass
The success of any Comedy is often anchored by its ensemble, and Carry On Behind features a noteworthy lineup led by Elke Sommer . Supported by the likes of Kenneth Williams and Bernard Bresslaw , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
In summary, our editorial assessment of Carry On Behind (1975) is mixed. With an audience rating of 5.4/10, it stands as a decent one-time watch.
Story & Plot Summary: Carry On Behind
Quick Plot Summary: Carry On Behind is a Comedy film that brings laughter through sharp writing and comedic timing, providing amusement while touching on deeper societal themes. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Explained: Carry On Behind
Ending Breakdown: Carry On Behind attempts to tie together its various plot elements. The finale presents its approach to comedy resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the comedy themes established throughout the runtime.
The final moments of Carry On Behind reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Carry On Behind?
Consider Watching If:
- You're a completist for Comedy films
- You're curious despite mixed reviews
- You have low expectations and want casual entertainment
Top Cast: Carry On Behind
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Where to Watch Carry On Behind Online?
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Amazon VideoCarry On Behind Parents Guide & Age Rating
1975 AdvisoryWondering about Carry On Behind age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Carry On Behind is 90 minutes (1h 30m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 5.4/10, and global performance metrics, Carry On Behind is classified as a AVERAGE. It remains an essential part of the 1975 cinematic calendar.
Frequently Asked Questions
Is Carry On Behind worth watching?
Carry On Behind is definitely worth watching if you enjoy Comedy movies. It has a verified rating of 5.4/10 and stands as a AVERAGE in our box office analysis.
Where can I find Carry On Behind parents guide and age rating?
The official parents guide for Carry On Behind identifies it as NR. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Carry On Behind?
The total duration of Carry On Behind is 90 minutes, which is approximately 1h 30m long.
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How Carry On Behind Compares & Where it Ranks
Critic Reviews for Carry On Behind
Carry On Behind (1975) A Site For Sore Thighs! It's a retread of Carry On Camping only with caravans as the usual array of characters are ripe for fun picking innuendo laden shenanigans. Plot for what it's worth has a bunch of Carry On holidaymakers caravanning next to a Roman excavation site being run by Prof Anna Vrooshka (Elke Sommer) and Prof. Roland Crump (Kenneth Williams). Chaos inevitable ensues. The absence of Sid James, Charles Hawtrey, Hattie Jacques and Terry Scott was always going to be felt (they had all left the franchise by this time), but Williams, Bernard Bresslaw , Kenneth Connor, Joan Simms and Peter Butterworth plough on stoically with the thin formulaic screenplay. Windsor Davis supplements them but he's no Sid James. The series would trundle out two more films in the 70s before the ill advised comeback movie in 1992 (Carry on Columbus), one of which was the dreadful Carry on England. "Behind" isn't an awful movie as it does have its moments, such as the by-play between Sommer and Williams, and Bresslaw's henpecked husband act. It's also a very good snapshot of the era with budget holidays pointing to the unsteady political climate, while the sexual aspects reek of a time well left behind - but those attitudes did exist back then. Passable Carry On fare but carrying with it the sadness in knowing the series was long past its sell by date. 6/10
A renowned archaeologist "Prof. Crump" and his colleague "Prof. Vooshka" (Else Sommer) are trying to protect some Roman mosaics near a rural campsite that is full of randy campers and run by the pretty dodgy "Maj. Leep" (Kenneth Connor). She is quite keen on him, he is fairly inept - but maybe some ketchup can help them out? It's a bit of a rip-off of "Carry on Camping" (1969) and is, frankly, a really poor relation. Windsor Davies ("Fred") largely takes centre stage, and he overcooks the role with his increasingly annoying cheeky guffawing and slightly smutty mannerisms. Connor is also well past his best now with even the usually reliable Joan Sims looking out of sorts with her rather diminished role. Indeed, now the entire franchise has really become a rather crass and unfunny excuse for scantily clad gals and some lecherous old men. This just isn't funny. It's contrived, charm-free and for those of us in the UK, we can start to see a new generation of comedy actors (including Ian Lavender and Donald Hewlett) starting to come through in the stead of those who, even at their worst, were still much better than the assembled mediocrity we have here. Poor, sorry.
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This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
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