Is Clash by Night Worth Watching?
Answer: Yes, Clash by Night is definitely worth watching if you enjoy Drama movies.
It features a runtime of 105 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Clash by Night is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.6/10, it has delivered a mixed experience for fans of the Drama, Romance genre.
Answer: Yes, Clash by Night is definitely worth watching if you enjoy Drama movies.
It features a runtime of 105 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1952, Clash by Night emerges as a significant entry in the Drama, Romance domain. The narrative core of the film focuses on a sophisticated exploration of An embittered woman seeks escape in marriage, only to fall for her husband’s best friend. Unlike standard genre fare, Clash by Night attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Drama is often anchored by its ensemble, and Clash by Night features a noteworthy lineup led by Barbara Stanwyck . Supported by the likes of Paul Douglas and Robert Ryan , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Clash by Night (1952) is mixed. With an audience rating of 6.6/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Clash by Night is a Drama, Romance film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Clash by Night concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of Clash by Night reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:









Amazon VideoAnalyzing the audience sentiment, IMDb rating of 6.6/10, and global collection metrics, Clash by Night stands as a successful venture for the creators. It remains an essential piece of the 1952 cinematic year.
Clash by Night has received mixed reviews with a 6.6/10 rating, making it a moderate success with the audience.
Clash by Night is a mixed bag. It might be worth watching if you're a fan of Drama, Romance movies, but read reviews first.
Clash by Night may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Jerry's the salt of the earth, but he's not the right seasoning for you. Clash by Night is directed by Fritz Lang and adapted to screenplay by Alfred Hayes from the play written by Clifford Odets. It stars Barbara Stanwyck, Paul Douglas, Robert Ryan and Marilyn Monroe. Music is by Roy Webb and cinematography by Nicholas Musuraca. Tis a tale of stilted raw passions, frustrations and wrong decisions that unfurl in a California seacoast fishing town. Essentialy it finds Stanwyck as Mae Doyle who returns to her home town fishing village of Menterey, Calif. She's bitter and unfullfilled and marries the amiable but not very bright Jerry D'Amato (Douglas) in spite of both their better judgements. With her being inexplicably drawn to Jery's woman hating friend, Earl (Ryan), and her brother Joe (Andes) fretting that his sister Peggy (Monroe) will be corrupted by Mae's bitterness, it's a hotbed of character fallibilities. To my mind It's all very stagy and a little too overwrought, and frustrating given that the themes within the play looked to be perfect for the great Fritz Lang. Not that it's either a stinker or a critical bomb (like the play itself), it isn't, it's just too soap opera to fully ignite the thematics at the core of the story. On the flip side, aside from Douglas' awful histrionic laden peformance, the acting is top notch. You may not care about these characters but you can't be anything but very involved and hang on to see what will happen to them all. Dialogue is a plus point, resplendent with barbs and choiceisms, while although the also great Musuraca is not in is chirascuro element, there's enough atmospheric photography - particularly when story plays out at the docks setting - to catch the eyes with mood compliance. Unfortunately the unconvicing sets are matched by the wholly unconvincing and disappointing finale. Just above average and lower tier fare on the CV's of Lang, Ryan and Stanwyck, it does however serve notice of what promise Monroe had. If only she could have been led the right way by genuine people. See this if only for Monroe's sprightly turn. 6/10
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.