Is Crisis Worth Watching?
Answer: Yes, Crisis is definitely worth watching if you enjoy Drama movies.
It features a runtime of 93 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Crisis is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.4/10, it has delivered a mixed experience for fans of the Drama, Romance genre.
Answer: Yes, Crisis is definitely worth watching if you enjoy Drama movies.
It features a runtime of 93 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1946, Crisis emerges as a significant entry in the Drama, Romance domain. The narrative core of the film focuses on a sophisticated exploration of A small-town piano teacher is shocked by the arrival of her foster daughter's biological mother, whose young lover soon follows and causes further disruption. Unlike standard genre fare, Crisis attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Drama is often anchored by its ensemble, and Crisis features a noteworthy lineup led by Inga Landgré . Supported by the likes of Stig Olin and Marianne Löfgren , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Crisis (1946) is mixed. With an audience rating of 6.4/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Crisis is a Drama, Romance film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Crisis concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of Crisis reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:










Criterion Channel
Apple TV
Fandango At Home
Apple TV
Fandango At HomeAnalyzing the audience sentiment, IMDb rating of 6.4/10, and global collection metrics, Crisis stands as a challenging project for the creators. It remains an essential piece of the 1946 cinematic year.
Crisis has received mixed reviews with a 6.4/10 rating, making it a moderate success with the audience.
Crisis is a mixed bag. It might be worth watching if you're a fan of Drama, Romance movies, but read reviews first.
Crisis is currently available for streaming on Criterion Channel. You can also check for it on platforms like Criterion Channel depending on your region.
His debut, I know, but I actually found this to one of the more accessible Ingmar Bergman films - maybe that's why it isn't actually that great. It follows the young "Nelly" (Inga Landgré) living with her kindly foster mother "Mutti/Ingeborg" (Dagny Lind) who teaches piano in their small town. This peaceful existence is suddenly turned on it's head, though, when her real mother "Jenny" (Marianne Löfgren) shows up intent on reconciling with her long estranged offspring. She doesn't show up alone - her rather lively and mischievous friend "Jack" (Stig Olin) comes along too, and at a charity ball he and "Nelly" cause a bit of a stir that causes consternation for her friend "Ulf" (Allan Bohlin), gets someone a wetting and causes tongues to wag to such an extent that poor old "Nelly" has to relocate to the city. Things there aren't a bed of roses there either, and pretty soon the young woman must make some difficult choices. This is a solid ensemble effort with decent efforts from all concerned as the rather unlikeable group of characters have to deal with their self-induced and conflicted predicaments. There is a bit of chemistry between Olin and Landgré that at times raises a smile and/or makes you cringe, but for the most part the narrative is a bit wooly - too many people cluttering up a story that somehow lacks focus. Still, I did understand it which is more than I can say for many of this director's later, more impenetrable, works.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.