Is Day for Night Worth Watching?
Answer: Yes, Day for Night is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 116 minutes and offers a solid storyline that appeals to general audiences.

Verdict:Day for Night is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 7.8/10, it has delivered a compelling experience for fans of the Comedy, Drama genre.
Answer: Yes, Day for Night is definitely worth watching if you enjoy Comedy movies.
It features a runtime of 116 minutes and offers a solid storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1973, Day for Night emerges as a significant entry in the Comedy, Drama domain. The narrative core of the film focuses on a sophisticated exploration of A committed filmmaker struggles to complete his latest project while coping with a myriad of crises, personal and professional, among the cast and crew. Unlike standard genre fare, Day for Night attempts to deconstruct traditional tropes, offering a refreshing take on its central themes.
The success of any Comedy is often anchored by its ensemble, and Day for Night features a noteworthy lineup led by Jacqueline Bisset . Supported by the likes of Valentina Cortese and Dani , the performances bring a palpable realism to the scripted words.
Performance Analysis: The lead actors exhibit a remarkable range, navigating the emotional peaks and valleys of their respective characters with a precision that makes every motivation feel earned.
In summary, our editorial assessment of Day for Night (1973) is overwhelmingly positive. With an audience rating of 7.8/10, it stands as a mandatory watch for any serious cinema lover.
Quick Plot Summary: Day for Night is a Comedy, Drama film that brings laughter through clever writing and comedic timing, offering both entertainment and social commentary. This summary provides a scannable look at the movie's central conflict and narrative structure.
The comedic structure relies on both situational humor and character-based comedy. A committed filmmaker struggles to complete his latest project while coping with a myriad of crises, personal and professional, among the cast and crew. The film finds humor in relatable situations while maintaining narrative momentum. The jokes serve the story, with callbacks and running gags that reward attentive viewers.
Ending Breakdown: Day for Night resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to comedy resolution.
The emotional climax centers on character transformation, creating a memorable conclusion that audiences have responded to positively.
The final moments of Day for Night demonstrate careful narrative planning, offering an ending that aligns with the film's tone and style.
Highly Recommended For:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $700.0K |
| Worldwide Gross | $850.0K |
| Trade Verdict | CLEAN HIT |
The estimated production budget for Day for Night is $700.0K. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










Arte Amazon ChannelAnalyzing the audience sentiment, IMDb rating of 7.8/10, and global collection metrics, Day for Night stands as a successful venture for the creators. It remains an essential piece of the 1973 cinematic year.
Day for Night is considered a hit based on audience response and box office performance. With a rating of 7.8/10, it's highly recommended for fans of Comedy, Drama movies.
Yes, Day for Night is definitely worth watching! It's a must-watch hit for fans of Comedy, Drama cinema.
Day for Night is currently available for streaming on Arte Amazon Channel. You can also check for it on platforms like Arte Amazon Channel depending on your region.
It's quite hard to succinctly review this Truffaut comedy - there is just so much going on. Essentially, Jacqueline Bisset ("Julie") is brought to Nice to star in a movie about a British woman who is married to a Frenchman. She comes to meet his family and promptly falls in love with her husband's father and so leaves him to shack up with his dad. It turns out, as the production progresses that the producer "Bertrand" (Jean Champion) and the director "Ferrand" (Truffaut himself) have to deal with an whole gamut of issues as the cast - all assembled in a small hotel - come with more baggage than the Queen Mary. "Julie" is recovering from a failed marriage and a nervous breakdown; "Séverine" (Valentina Cortese) is having an affair - but with a bottle, and Jean-Pierre Léaud steals the film as the petulant and high-maintenance "Alphonse". It reminded me a little of Fellini's "8½" from ten years earlier, another behind the scenes as a movie is made story - but it could hardly be more different. Here, the cast and the crew could not have been more dysfunctional - a trait of the creative, I believe - but in the end somehow or other there is a chance the film might actually get made! It is good fun, and the odd contribution from Jean-Pierre Aumont help keep this 2 hour extravaganza moving along entertainingly. Georges Delerue's jaunty score compliments the lovely open-ness of this production, and I really enjoyed this film.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.