Is Dead Are Countless Worth Watching?
Answer: Maybe not, Dead Are Countless is likely a skip if you enjoy Western movies.
It features a runtime of 94 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Dead Are Countless is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.1/10, it has delivered a mixed experience for fans of the Western genre.
Answer: Maybe not, Dead Are Countless is likely a skip if you enjoy Western movies.
It features a runtime of 94 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1969, Dead Are Countless emerges as a significant entry in the Western domain. The narrative core of the film focuses on a sophisticated exploration of Johnny was mentally traumatised when he witnessed as a child the killing of his father (a deserter) by a group of soldiers. Unlike standard genre fare, Dead Are Countless attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Western is often anchored by its ensemble, and Dead Are Countless features a noteworthy lineup led by Anthony Steffen . Supported by the likes of Solvi Stübing and Raf Baldassarre , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Dead Are Countless (1969) is mixed. With an audience rating of 5.1/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Dead Are Countless is a Western film that presents a compelling narrative that engages viewers from start to finish. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Dead Are Countless attempts to tie together its various plot elements. The finale presents its approach to western resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of Dead Are Countless reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
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Amazon VideoAnalyzing the audience sentiment, IMDb rating of 5.1/10, and global collection metrics, Dead Are Countless stands as a challenging project for the creators. It remains an essential piece of the 1969 cinematic year.
Dead Are Countless has received mixed reviews with a 5.1/10 rating, making it a moderate success with the audience.
Dead Are Countless is a mixed bag. It might be worth watching if you're a fan of Western movies, but read reviews first.
Dead Are Countless may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Under a blood red sky! Garringo is directed by Rafael Romero Marchent and Marchent co- writes the screenplay with Giovanni Scolaro. It stars Anthony Steffen, Peter Lee Lawrence, Solvi Stubbing, Jose Bodalo and Raf Baldassarre. Music is by Marcello Giombini and cinematography by Aldo Ricci. Johnny as a very young boy witnesses the murder of his father by a soldier, he grows up to be a double life leading killer of soldiers. Enter a man to hunt him down, Lieutenant Garringo. This Is Bells City - You Better Return If You Don't Hear It. A most interesting Pasta Western because although the narrative doesn't have ambitions to expand thematically, there's psychological depth to the principal bad boy. He's scarred by the murder of his father and has become a twisted callous killer, yet he's still capable of hiding his dark half so as to exude as a dandy caring type. That said, pic is more interested in the straight forward conventions of a driven hunter hunting down his prey, to which we have a cool Steffen and a schizophrenic Lawrence acting accordingly. Sincerely Johnny. Production crams in genre staples, both traditional American and Spaghetti, so we get camera shenanigans involving canted angles, zooms, close-ups et al. Plenty of violence resides, though some is done down by poor choreography (could the punches be any further from the targets?), and action is in no short supply (great hold-ups and the usual shoot-outs). The locations are most pleasing, which in turn are backed by a nifty musical score that's big on jaunty woodwinds and menacing strings. A maniac who has to have a gun to be a man! With both leading characters showing dexterity to marry up with their respective killing traits, it's a film underpinned by both, ensuring this is worth a watch. Hardly a genre classic, mind, but enough here to have a good time with. 6.5/10
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.