Is Don't Come Knocking Worth Watching?
Answer: Yes, Don't Come Knocking is definitely worth watching if you enjoy Drama movies.
It features a runtime of 123 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Don't Come Knocking is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.2/10, it has delivered a mixed experience for fans of the Drama, Western genre.
Answer: Yes, Don't Come Knocking is definitely worth watching if you enjoy Drama movies.
It features a runtime of 123 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2005, Don't Come Knocking emerges as a significant entry in the Drama, Western domain. The narrative core of the film focuses on a sophisticated exploration of Howard Spence has seen better days. Unlike standard genre fare, Don't Come Knocking attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Drama is often anchored by its ensemble, and Don't Come Knocking features a noteworthy lineup led by Sam Shepard . Supported by the likes of Jessica Lange and Tim Roth , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Don't Come Knocking (2005) is mixed. With an audience rating of 6.2/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Don't Come Knocking is a Drama, Western film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Don't Come Knocking concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of Don't Come Knocking reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $11.0M |
| Worldwide Gross | $4.7M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Don't Come Knocking is $11.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










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Fandango At HomeAnalyzing the audience sentiment, IMDb rating of 6.2/10, and global collection metrics, Don't Come Knocking stands as a challenging project for the creators. It remains an essential piece of the 2005 cinematic year.
Don't Come Knocking has received mixed reviews with a 6.2/10 rating, making it a moderate success with the audience.
Don't Come Knocking is a mixed bag. It might be worth watching if you're a fan of Drama, Western movies, but read reviews first.
Don't Come Knocking may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Caught between Earth and Sky RELEASED IN 2005 and directed by Wim Wenders, "Don't Come Knocking" tells the story of a 60 year-old B-Western film has-been, Howard Spence (Sam Shepard), who is sick of his meaningless scandalous carnal existence. While on a film set in Utah he jumps ship and flees on a horse, searching for SOMETHING, like a reason to exist. He ultimately travels to Butte, Montana, where he gets reacquainted with an ex-girlfriend (Jessica Lange) and meets an angry young musician (Gabriel Mann) as well as a mysterious spiritual woman (Sarah Polley). Meanwhile the film company sends an eccentric bounty hunter (Tim Roth) to fetch Shepard for breach of contract. Although this is generally a quiet drama, it has a hip and likable artistic flair. The film is highlighted by magnificent Western locations and a nice modern Country/Western/Rockish score/soundtrack (non-twangy). We can all relate to Howard's search on some level; hence, despite the film's slow drama it generally maintains the viewer's attention throughout its runtime, unless you strictly favor fast-paced, quick-edited explosion-every-five-minutes thrillers. The two youths Howard meets in the story, Earl and Sky, represent two extremes. Earl's name is fitting because he's full of volcanic rage that spits out from deep within the Earth (Earl/Earth, get it?). Sky, on the other hand, is completely spiritual in nature (hence, sky/heaven). She's full of warmth, love, compassion and forgiveness. In fact, she's the crucial Christ figure without which there would be little reconciliation for anyone in the story. Take note of the scene where Sky meets Howard in his hotel room. Sky just looks at him with the understanding eyes of divine love. This naturally makes Spence uncomfortable; he's never experienced this before. He doesn't know what to do, so he asks her to leave. On a side note, Jessica Lange still looks good for being in her mid-50s but I found her character strange and annoying. Also, Earl's girlfriend (Fairuza Balk) is an entertaining free spirit who looks like she might be the daughter of Steven Tyler. The third act of "Don't Come Knocking" is too low-key for my tastes, but the movie’s worthwhile if you favor the cast and have a taste for eccentric indie dramas, as well as stories about the modern West with echoes to the past. THE MOVIE RUNS 1 hour, 51 minutes and was shot in Butte; Arches National Park and Moab, Utah; Elko and Wendover, Nevada; and Los Angeles. WRITERS: Sam Shepherd and Wim Wenders. GRADE: B-
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.