Is Driver Worth Watching?
Answer: Maybe not, Driver is likely a skip if you enjoy Crime movies.
It features a runtime of 79 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Driver is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.3/10, it has delivered a mixed experience for fans of the Crime, Drama, Mystery genre.
Answer: Maybe not, Driver is likely a skip if you enjoy Crime movies.
It features a runtime of 79 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2018, Driver emerges as a significant entry in the Crime, Drama, Mystery domain. The narrative core of the film focuses on a sophisticated exploration of A dark drama set on the streets of Las Vegas, following a driver/serial killer with multiple personality disorder, and the rogue detective hunting him down. Unlike standard genre fare, Driver attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Crime is often anchored by its ensemble, and Driver features a noteworthy lineup led by Rick Lundgren . Supported by the likes of Stephen Medvidick and Lorenzo Lamas , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Driver (2018) is mixed. With an audience rating of 5.3/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Driver is a Crime, Drama, Mystery film that delves into the criminal underworld with gritty realism and moral complexity. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Driver attempts to tie together its various plot elements. The finale presents its approach to crime resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of Driver reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Driver incorporates elements from real criminal cases. As a crime, drama, mystery film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: Driver adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Consider Watching If:



Amazon Prime Video
Amazon Prime Video with Ads
Amazon Video
Apple TV
Google Play Movies
YouTube
Fandango At Home
Amazon Video
Apple TV
Google Play Movies
YouTube
Fandango At HomeAnalyzing the audience sentiment, IMDb rating of 5.3/10, and global collection metrics, Driver stands as a challenging project for the creators. It remains an essential piece of the 2018 cinematic year.
Driver has received mixed reviews with a 5.3/10 rating, making it a moderate success with the audience.
Driver is a mixed bag. It might be worth watching if you're a fan of Crime, Drama, Mystery movies, but read reviews first.
Driver is currently available for streaming on Amazon Prime Video. You can also check for it on platforms like Amazon Prime Video, Amazon Prime Video with Ads depending on your region.
The multiple-personality angle doesn't work. The quality is a little low and the writing isn't there to really sell that aspect... but... Stephen Medvidick does a great job with what he has to work with. He sells his role as best as he can with what he has to work with. It's understood walking in that this is a low budget production, the quality isn't going to be there. You have to watch it understanding from the start that it will be an uneven film. And it is... some of the script needed polishing and some of the actors were horrible. And by "the script needed polishing" I mean that is wasn't a bad script, it just wasn't fit to print. However, Stephen Medvidick was not, he sold his role, and so did a surprising number of other actors... unfortunately not many others in leading roles. The killer and most of the victims and potential victims did a shockingly good job for a low rent movie. The lighting and cinematography were also there. They understood how to hide the budget in the lighting and they understood how to bring faces out of a dark environment. And they understood how to use both to create tension to create tension and atmosphere. Over all, it feels like a film with mostly pro-talent working with a D grade budget. It's not bad.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.