Is Dual Alibi Worth Watching?
Answer: Maybe not, Dual Alibi is likely a skip if you enjoy Crime movies.
It features a runtime of 81 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Dual Alibi is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.7/10, it has delivered a mixed experience for fans of the Crime, Drama genre.
Answer: Maybe not, Dual Alibi is likely a skip if you enjoy Crime movies.
It features a runtime of 81 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1947, Dual Alibi emerges as a significant entry in the Crime, Drama domain. The narrative core of the film focuses on a sophisticated exploration of A French PR man and his girlfriend steal a lottery ticket from twin trapeze artists, prompting murder. Unlike standard genre fare, Dual Alibi attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Crime is often anchored by its ensemble, and Dual Alibi features a noteworthy lineup led by Herbert Lom . Supported by the likes of Phyllis Dixey and Terence de Marney , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Dual Alibi (1947) is mixed. With an audience rating of 5.7/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Dual Alibi is a Crime, Drama film that delves into the criminal underworld with gritty realism and moral complexity. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Dual Alibi attempts to tie together its various plot elements. The finale presents its approach to crime resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of Dual Alibi reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Dual Alibi incorporates elements from real criminal cases. As a crime, drama film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: Dual Alibi adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Consider Watching If:






Analyzing the audience sentiment, IMDb rating of 5.7/10, and global collection metrics, Dual Alibi stands as a challenging project for the creators. It remains an essential piece of the 1947 cinematic year.
Dual Alibi has received mixed reviews with a 5.7/10 rating, making it a moderate success with the audience.
Dual Alibi is a mixed bag. It might be worth watching if you're a fan of Crime, Drama movies, but read reviews first.
Dual Alibi may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
The duality of death. Dual Alibi is directed by Alfred Travers who also collectively adapts the screenplay with Stephen Clarkson and Vivienne Ades from a story written by Renalt Capes. It stars Herbert Lom, Phyllis Dixey, Terence De Marney and Ronald Frankau. Music is by Stanley Black and cinematography by James Wilson. Top French trapeze artists, the de Lisle twins (Lom), are hired by a British promoter to go work in Blackpool in the North West of England. Whilst in Blackpool one of the twins falls for an aspiring singer, causing tremors in the brother’s relationship. But when news comes through that they have won the French lottery, the brothers unite in their good fortune. However, good fortune is not to last as their world comes crashing down in a ball of treachery, greed, the misfortunes of fate and murder! Moody monochrome, flashback structure, kilter circus atmosphere, femme fatale and a haunting musical score, welcome to the world of under seen British noir. The low budget is barely noticed as Travers and Wilson skilfully move the film at a good pace whilst draping it in shadows and murk, and the trick photography accomplishment that brings two Herbert Lom’s together on screen brilliantly belies that this is a poverty row production. Lom is excellent in the dual role, giving each twin its own characteristic so the audience is never out of the loop. Yet he also deftly manages to ascertain a deep emotional bond between the two men, so when the darkness comes (the ending for instance is miserably no conformist) we feel the slap of film noir’s hand. Around Lom are effective performances from Marney as the repugnant Mike Bergin and Dixey who slinks about with conviction as smouldering fatale Gloria Gregg (AKA: Penny). Highly recommended for anyone interested in British film noir. 8/10
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.