Is Duffy Worth Watching?
Answer: Yes, Duffy is definitely worth watching if you enjoy Crime movies.
It features a runtime of 101 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Duffy is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.1/10, it has delivered a mixed experience for fans of the Crime, Comedy genre.
Answer: Yes, Duffy is definitely worth watching if you enjoy Crime movies.
It features a runtime of 101 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1968, Duffy emerges as a significant entry in the Crime, Comedy domain. The narrative core of the film focuses on a sophisticated exploration of Half-brothers Stefane and Antony despise their biological father, callous millionaire Charles Calvert. Unlike standard genre fare, Duffy attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Crime is often anchored by its ensemble, and Duffy features a noteworthy lineup led by James Coburn . Supported by the likes of James Mason and James Fox , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Duffy (1968) is mixed. With an audience rating of 6.1/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Duffy is a Crime, Comedy film that delves into the criminal underworld with gritty realism and moral complexity. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Duffy concludes its story with a mix of closure and open interpretation. The finale presents its approach to crime resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of Duffy reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Duffy incorporates elements from real criminal cases. As a crime, comedy film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: Duffy adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Worth Watching If You:










Molotov TV
Cine+ OCS Amazon Channel Analyzing the audience sentiment, IMDb rating of 6.1/10, and global collection metrics, Duffy stands as a challenging project for the creators. It remains an essential piece of the 1968 cinematic year.
Duffy has received mixed reviews with a 6.1/10 rating, making it a moderate success with the audience.
Duffy is a mixed bag. It might be worth watching if you're a fan of Crime, Comedy movies, but read reviews first.
Duffy is currently available for streaming on Molotov TV. You can also check for it on platforms like Molotov TV, Cine+ OCS Amazon Channel depending on your region.
Though this takes quite a while to warm up, the actual heist caper stuff is quite fun to watch. James Mason "Calvert" is a bit of a crook. A sophisticate, but a crook nonetheless. He has two rather put-upon sons in "Stefane" (James Fox) and "Antony" (John Alderton). The sons are fed up with their permanently disappointed father and so when they learn that he is to move £1 million on a ship from North Africa, they engage the help of their pal "Segolene" (Susannah York) and of the man who can help them rob the ship at sea -"Duffy" (James Coburn). They put together and execute quite a meticulously planned theft that's got some dressing up; wigs; a priest and an helicopter - but can they get away with it? Mason features sparingly but for a change, York is quite competent as their never quite trustworthy cohort. It is John Alderton who really surprises here. He's always reminded me of a John Cleese-light kind of figure, but here he is quite decent as the brains behind the operation leaving Coburn to provide the muscle and the charisma. I didn't quite get the point of the ending, it all sort of trips over it's own cloak looking for the dagger; but it was an hell of a lot better than I was expecting and I did quite enjoy the middle bit.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.