Is Easy Come, Easy Go Worth Watching?
Answer: Maybe not, Easy Come, Easy Go is likely a skip if you enjoy Adventure movies.
It features a runtime of 95 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Easy Come, Easy Go is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.9/10, it has delivered a mixed experience for fans of the Adventure, Comedy, Music genre.
Answer: Maybe not, Easy Come, Easy Go is likely a skip if you enjoy Adventure movies.
It features a runtime of 95 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1967, Easy Come, Easy Go emerges as a significant entry in the Adventure, Comedy, Music domain. The narrative core of the film focuses on a sophisticated exploration of Navy frogman Ted Jackson balances his time between twin careers as a deep-sea diver and nightclub singer. Unlike standard genre fare, Easy Come, Easy Go attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Adventure is often anchored by its ensemble, and Easy Come, Easy Go features a noteworthy lineup led by Elvis Presley . Supported by the likes of Dodie Marshall and Pat Priest , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Easy Come, Easy Go (1967) is mixed. With an audience rating of 5.9/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Easy Come, Easy Go is a Adventure, Comedy, Music film that presents a compelling narrative that engages viewers from start to finish. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Easy Come, Easy Go attempts to tie together its various plot elements. The finale presents its approach to adventure resolution.
The conclusion addresses the core thematic questions, offering viewers material for post-viewing discussion.
The final moments of Easy Come, Easy Go reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Consider Watching If:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $2.0M |
| Worldwide Gross | $2.0M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Easy Come, Easy Go is $2.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.







Amazon VideoAnalyzing the audience sentiment, IMDb rating of 5.9/10, and global collection metrics, Easy Come, Easy Go stands as a challenging project for the creators. It remains an essential piece of the 1967 cinematic year.
Easy Come, Easy Go has received mixed reviews with a 5.9/10 rating, making it a moderate success with the audience.
Easy Come, Easy Go is a mixed bag. It might be worth watching if you're a fan of Adventure, Comedy, Music movies, but read reviews first.
Easy Come, Easy Go may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
_**A naval frogman (Presley) becomes a treasure hunter off the coast of Southern Cal in the swinging 60s**_ “Easy Come, Easy Go” (1967) was Elvis’ 23th movie of the 31 he did. It was one of his first films to really flirt with the growing counter-culture movement of the mid/late 60s, which can also be observed in “Clambake” (1967) and “Live a Little, Love a Little” (1968). As such, there are entertaining sequences featuring go-go dancing, yoga, eccentric artists and a reference to beatniks, who would immediately be re-christened hippies. Another thing that distinguishes this one is the lack of romancing, aside from a kiss at the end. It’s more plot-driven with a good mix of drama/comedy, sea action, upbeat music and pretty girls. Speaking of the latter, Dodie Marshall plays the main female character, Jo, with Pat Priest not far behind as Dina (Pat, of course, is known for her role as Marilyn Munster). While these women, and others, are agreeable enough they’re not on the voluptuous level of Anne Helm from “Follow That Dream” (1962), Ann-Margret in “Viva Las Vegas” (1964) or Michele Carey in “Live a Little, Love a Little” (1968). Skip Ward is notable as the impressive Aryan rival while Pat Harrington Jr. (the handyman on One Day at a Time) and Frank McHugh are also on hand. I suppose the flick could’ve done without McHugh’s Captain Jack, but it’s just silly fun. At the end of the day this is an obscure Elvis flick, but it shouldn’t be. It’s unique in his filmography with an entertaining emphasis on the 60’s counter culture offset by Elvis’ role as a military man. Around the time of its release, Presley was starting to struggle with his weight and turned to diet pills. He was also disenchanted by the fluff Col. Parker was steering him to do and wanted to do more serious pictures. But you wouldn’t know that from his performance here as he never looked better; very lean, beaming with his cheery charisma. The film runs 1 hour, 35 minutes, and was shot at Long Beach Naval Station, San Pedro, and Paramount Studios, Los Angeles. GRADE: B-/B
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.