Is Eiffel Worth Watching?
Answer: Yes, Eiffel is definitely worth watching if you enjoy Romance movies.
It features a runtime of 108 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Eiffel is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.2/10, it has delivered a mixed experience for fans of the Romance, Drama genre.
Answer: Yes, Eiffel is definitely worth watching if you enjoy Romance movies.
It features a runtime of 108 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2021, Eiffel emerges as a significant entry in the Romance, Drama domain. The narrative core of the film focuses on a sophisticated exploration of The French government is asking Gustave Eiffel to design something spectacular for the 1889 Paris World Fair, but he simply wants to design the subway—until he crosses paths with a mysterious woman from his past. Unlike standard genre fare, Eiffel attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Romance is often anchored by its ensemble, and Eiffel features a noteworthy lineup led by Romain Duris . Supported by the likes of Emma Mackey and Pierre Deladonchamps , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Eiffel (2021) is mixed. With an audience rating of 6.2/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Eiffel is a Romance, Drama film that explores the complexities of love and relationships with emotional depth and authenticity. This summary provides a scannable look at the movie's central conflict and narrative structure.
The film presents its narrative with careful attention to pacing and character development. The French government is asking Gustave Eiffel to design something spectacular for the 1889 Paris World Fair, but he simply wants to design the subway—until he crosses paths with a mysterious woman from his past. The story unfolds naturally, allowing viewers to become invested in the outcome while maintaining engagement throughout.
Ending Breakdown: Eiffel concludes its story with a mix of closure and open interpretation. The finale presents its approach to romance resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of Eiffel reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $26.0M |
| Worldwide Gross | $13.0M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Eiffel is $26.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.










Amazon Prime Video
Amazon Prime Video with AdsAnalyzing the audience sentiment, IMDb rating of 6.2/10, and global collection metrics, Eiffel stands as a challenging project for the creators. It remains an essential piece of the 2021 cinematic year.
Eiffel has received mixed reviews with a 6.2/10 rating, making it a moderate success with the audience.
Eiffel is a mixed bag. It might be worth watching if you're a fan of Romance, Drama movies, but read reviews first.
Eiffel is currently available for streaming on Amazon Prime Video. You can also check for it on platforms like Amazon Prime Video, Amazon Prime Video with Ads depending on your region.
Romain Duris turns in a creditable enough performance but otherwise this is a rather lacklustre mix of romance and engineering that veers way too much to the former than the latter. The narrative tries to run the twin threads of his younger years - where he builds a bridge and falls in love with "Adrienne" (Emma Mackey) with a contemporary one that sees him bidding in a competition to design the Parisian entry for the 1889 World Fair. His plan to build a 300m tower wins - it beat the Mètro - but pretty quickly he faces industrial issues, strikes, banking confidence colly-wobbles and to add to his complications, he re-alights on "Adrienne", by now married to the influential "Antoine" (Pierre Deladonchamps). There are a few scenes - especially when they are laying the foundations to the tower and when aligning the metal works, when the engineering elements impress and we get some clue as to his genius. The use of sand, water and sheer brute force to ensure millimetre accuracy is sometimes quite tensely portrayed here. Unfortunately, though, for the most part it's a rather uninspiring melodrama about his turbulent relationship and though it does offer an interesting explanation as to why the tower might look like the letter "A", it all just sinks into a rather mediocre sediment of mush. The production looks good, the costumes and settings are well presented, but the rest of it is unremarkable and I found myself wondering why I thought he wasn't Maximillian Schell and she wasn't Margot Robbie. One for the telly, I'd say.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.