Is Everything Is Thunder Worth Watching?
Answer: Maybe not, Everything Is Thunder is likely a skip if you enjoy Drama movies.
It features a runtime of 76 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Everything Is Thunder is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.0/10, it has delivered a mixed experience for fans of the Drama, Thriller, War genre.
Answer: Maybe not, Everything Is Thunder is likely a skip if you enjoy Drama movies.
It features a runtime of 76 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1936, Everything Is Thunder emerges as a significant entry in the Drama, Thriller, War domain. The narrative core of the film focuses on a sophisticated exploration of The story, starring Constance Bennett and Douglass Montgomery, involves a Canadian POW being hidden by a German citizen during World War I. Unlike standard genre fare, Everything Is Thunder attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Drama is often anchored by its ensemble, and Everything Is Thunder features a noteworthy lineup led by Constance Bennett . Supported by the likes of Douglass Montgomery and Oskar Homolka , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Everything Is Thunder (1936) is mixed. With an audience rating of 5.0/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Everything Is Thunder is a Drama, Thriller, War film that explores complex human emotions and relationships through nuanced character development. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Everything Is Thunder attempts to tie together its various plot elements. The finale presents its approach to drama resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of Everything Is Thunder reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Everything Is Thunder uses real-world events as narrative inspiration. As a drama, thriller, war film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, with attention to period detail and historical context.
Accuracy Assessment: Everything Is Thunder adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
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Analyzing the audience sentiment, IMDb rating of 5/10, and global collection metrics, Everything Is Thunder stands as a challenging project for the creators. It remains an essential piece of the 1936 cinematic year.
Everything Is Thunder has received mixed reviews with a 5/10 rating, making it a moderate success with the audience.
Everything Is Thunder is a mixed bag. It might be worth watching if you're a fan of Drama, Thriller, War movies, but read reviews first.
Everything Is Thunder may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
There is just too much lacking about this to give it much traction with the audience. Set in the Great War, Canadian officer "McGrath" (Douglass Montgomery) manages to flee an Hun POW camp (killing a guard in the process) and make his way to Berlin. That's where he meets hooker "Anna" (Constance Bennett) and the pair decide, with Oskar Homolka's doggedly determined detective "Götz" hot on their trail, to try and make their way to the safety of Holland. The plot suffers badly from plausibility issues. Had it been made six or seven years later it could have been reasonably assumed to have been intended as a piece of WWII propaganda. As it is, it offers a muddled appraisal of Imperial Germany, of Germans and also of a fairly flawed cat and mouse game. Neither the lead actors, nor the writing, are anywhere near good enough to hold the film together, and though the photography is more effective in illustrating their perils, the rest of it is just a bit too romantically facile.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.