Is Faster, Pussycat! Kill! Kill! Worth Watching?
Answer: Yes, Faster, Pussycat! Kill! Kill! is definitely worth watching if you enjoy Crime movies.
It features a runtime of 83 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Faster, Pussycat! Kill! Kill! is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.3/10, it has delivered a mixed experience for fans of the Crime, Action, Thriller, Comedy genre.
Answer: Yes, Faster, Pussycat! Kill! Kill! is definitely worth watching if you enjoy Crime movies.
It features a runtime of 83 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1965, Faster, Pussycat! Kill! Kill! emerges as a significant entry in the Crime, Action, Thriller, Comedy domain. The narrative core of the film focuses on a sophisticated exploration of A trio of thrill-seeking go-go dancers kidnap a young girl and attempt to seduce an old rancher and his two sons out of their small fortune, but their scheme doesn't play out as intended. Unlike standard genre fare, Faster, Pussycat! Kill! Kill! attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Crime is often anchored by its ensemble, and Faster, Pussycat! Kill! Kill! features a noteworthy lineup led by Tura Satana . Supported by the likes of Haji and Lori Williams , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Faster, Pussycat! Kill! Kill! (1965) is mixed. With an audience rating of 6.3/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Faster, Pussycat! Kill! Kill! is a Crime, Action, Thriller, Comedy film that delves into the criminal underworld with gritty realism and moral complexity. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Faster, Pussycat! Kill! Kill! concludes its story with a mix of closure and open interpretation. The finale presents its approach to crime resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of Faster, Pussycat! Kill! Kill! reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Faster, Pussycat! Kill! Kill! incorporates elements from real criminal cases. As a crime, action, thriller, comedy film, it navigates the space between factual accuracy and narrative engagement.
The film takes creative liberties to enhance dramatic impact. Core events maintain connection to source material while adapting for theatrical presentation.
Creative interpretation shapes the final narrative, focusing on emotional truth over strict chronology.
Accuracy Assessment: Faster, Pussycat! Kill! Kill! adapts its source material for dramatic purposes. The film prioritizes thematic resonance over documentary precision.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $45.0K |
| Worldwide Gross | $36.1K |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Faster, Pussycat! Kill! Kill! is $45.0K. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.







Analyzing the audience sentiment, IMDb rating of 6.3/10, and global collection metrics, Faster, Pussycat! Kill! Kill! stands as a challenging project for the creators. It remains an essential piece of the 1965 cinematic year.
Faster, Pussycat! Kill! Kill! has received mixed reviews with a 6.3/10 rating, making it a moderate success with the audience.
Faster, Pussycat! Kill! Kill! is a mixed bag. It might be worth watching if you're a fan of Crime, Action, Thriller movies, but read reviews first.
Faster, Pussycat! Kill! Kill! may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
_**Awesome 60's go-go women, music and thrills, but childish script and melodramatics**_ Released in 1965 and conceived & directed by Russ Meyer, "Faster, Pussycat! Kill! Kill!" is a campy melodrama/crime thriller starring Tura Satana as a sneering vixen who, along with her two go-go dancing pals (Haji & Lori Williams), entertain themselves in their spare time by hot rodding in the desert. After a mishap wherein the trio apprehend a winsome bikini girl (Susan Bernard) they smell easy money at a remote ranch in the desert, inhabited by a rich old man (Stuart Lancaster) and his two sons (Dennis Busch & Paul Trinka). Ray Barlow plays a "nice boy" desert racer while Michael Finn is on hand as a gabby gas station attendant. The movie has a big reputation as a cult flick and Meyer's definitive film, along with 1970's "Beyond the Valley of the Dolls," so I was very interested in finally viewing it. The first 20 minutes or so are fun and entertaining in a swingin' 60s kind of way, highlighted by the voluptuous female cast in which Meyer takes full advantage in illustrating their beauty (no nudity). The music, cars, apparel and thrills are additional highpoints. Unfortunately, once the women happen upon the ranch with the mad "Ben Cartwright" and "Hoss" & "Adam" (sorry, no "Little Joe") the lousy writing and corresponding eye-rolling histrionics manifest. It's as if Meyer and fellow writer Jackie Moran were attempting to make a mid-60s desert version of one of Tennessee Williams melodramas, but didn't have the writing expertise or professional cast to pull it off. As such, the story loses the viewer's interest and you're left to laughing at the exaggerated antics and trying to enjoy the attractions noted above. Being shot in B&W doesn't help matters. For a better movie that treads similar terrain (albeit with a wholly different plot) I suggest the contemporaneous "Village of the Giants," which was released a mere 2½ months after "Faster" and is in glorious color. The women are just as good, if not better, and the music is superior, not to mention it lacks an utterly scornful one-dimensional she-devil (don't get me wrong, Tura's great, but her character is so one-note disdainful it gets old after 25 minutes and you just want someone, ANYONE, male or female, to knock her silly). "Village" also doesn't pretentiously try to be a serious 60's tragedy à la "A Streetcar Named Desire" in the desert. The movie runs 83 minutes and was shot in the Mojave Desert (Lake Isabella, Lake Cunniback, Johannesburg, Randsburg & Ollie Pesch's Musical Wells Ranch) and Van Nuys (The Pussycat Club), California. GRADE: C+
60 years later, no movie has achieved the same level of _Faster, Pussycat! Kill! Kill!_, the greatest movie ever amd forever. It delivers on everything it promises as an action sexploitation movie and more! Hot chicks, car racing, murder and an infinite arsenal of funny lines. The way this film is shot is incredible!! These women look like goddesses!! No movie made in the future will be better than this but we can hope...
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.