Is Funny Lady Worth Watching?
Answer: Maybe not, Funny Lady is likely a skip if you enjoy Comedy movies.
It features a runtime of 136 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Funny Lady is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.2/10, it has delivered a mixed experience for fans of the Comedy, Drama, Romance genre.
Answer: Maybe not, Funny Lady is likely a skip if you enjoy Comedy movies.
It features a runtime of 136 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 1975, Funny Lady emerges as a significant entry in the Comedy, Drama, Romance domain. The narrative core of the film focuses on a sophisticated exploration of Famous singer Fanny Brice has divorced her first husband Nicky Arnstein. Unlike standard genre fare, Funny Lady attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Comedy is often anchored by its ensemble, and Funny Lady features a noteworthy lineup led by Barbra Streisand . Supported by the likes of James Caan and Omar Sharif , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Funny Lady (1975) is mixed. With an audience rating of 5.2/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Funny Lady is a Comedy, Drama, Romance film that brings laughter through clever writing and comedic timing, offering both entertainment and social commentary. This summary provides a scannable look at the movie's central conflict and narrative structure.
Ending Breakdown: Funny Lady attempts to tie together its various plot elements. The finale presents its approach to comedy resolution.
The emotional climax centers on character transformation, offering viewers material for post-viewing discussion.
The final moments of Funny Lady reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Consider Watching If:
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $8.5M |
| Worldwide Gross | $40.1M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Funny Lady is $8.5M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.









Apple TV
Amazon Video
Apple TVAnalyzing the audience sentiment, IMDb rating of 5.2/10, and global collection metrics, Funny Lady stands as a challenging project for the creators. It remains an essential piece of the 1975 cinematic year.
Funny Lady has received mixed reviews with a 5.2/10 rating, making it a moderate success with the audience.
Funny Lady is a mixed bag. It might be worth watching if you're a fan of Comedy, Drama, Romance movies, but read reviews first.
Funny Lady may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
I guess a sequel to "Funny Girl" (1968) was always likely, but it really ended up being a shame that we waited seven years for this really unremarkable follow-up. The theme picks up the life of the now successful Fanny Brice (Barbra Streisand) and develops her rather lively relationship with two-bit writer Billy Rose (James Caan), who wrote a few of her hits and to whom she got married. Unfortunately, despite a decent effort from the star, the writing is not a patch on the first film: the humour there that was naive and amusing has now become coarse, unfunny and strained. The musical numbers - "More Than You Know" from Streisand and "Me and My Shadow" from Al Jolson demonstrate that Rose had some skill (with Yip Harburg on the first song too) at song writing, but again there is a paucity of memorable songs from his pen. Indeed the Oscar nominated (John) Kander and (Fred) Ebb seem to have done most of the musical heavy lifting here. We also dwell far too much on their flawed relationship, and by halfway through, the initial "breath of fresh air" approach Caan brought to the film, was drowning in a sea of treacle. Omar Sharif brings a soupçon of style to this film, and there's Roddy McDowall - well he could hardly be described as versatile, but he tries to liven things up a bit too - but, in the end it's a film about two songs with performances that almost look like they were implanted into the thing. As you would expect, it is a well put together piece of cinema - it looks and sounds great, but like a meringue - there is not much inside.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.



Explore the full watch order, ratings, and collection details.
View Full Franchise