Is Gone Worth Watching?
Answer: Yes, Gone is definitely worth watching if you enjoy Thriller movies.
It features a runtime of 94 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Gone is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.2/10, it has delivered a mixed experience for fans of the Thriller, Drama genre.
Answer: Yes, Gone is definitely worth watching if you enjoy Thriller movies.
It features a runtime of 94 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 18, 2026
Released in the dynamic cinematic landscape of 2012, Gone emerges as a significant entry in the Thriller, Drama domain. The narrative core of the film focuses on a sophisticated exploration of Jill Conway is trying to rebuild her life after surviving a terrifying kidnapping attempt. Unlike standard genre fare, Gone attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The success of any Thriller is often anchored by its ensemble, and Gone features a noteworthy lineup led by Amanda Seyfried . Supported by the likes of Daniel Sunjata and Wes Bentley , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
In summary, our editorial assessment of Gone (2012) is mixed. With an audience rating of 6.2/10, it stands as a highly recommended experience for genre enthusiasts.
Quick Plot Summary: Gone is a Thriller, Drama film that builds tension through unpredictable twists and keeps audiences guessing until the final reveal. This summary provides a scannable look at the movie's central conflict and narrative structure.
The plot weaves a complex web of mystery and suspense. Jill Conway is trying to rebuild her life after surviving a terrifying kidnapping attempt. Though she is having a difficult time, she takes small steps toward normalcy by starting a new job and inviting her sister, Molly, to move in with her. Returning home from work one morning, Jill discovers that Molly has vanished, and she is certain that the same man who previously abducted her has returned for revenge. Information is revealed strategically, keeping viewers engaged as they piece together clues alongside the protagonist. The narrative maintains momentum through well-timed revelations and unexpected turns.
Ending Breakdown: Gone concludes its story with a mix of closure and open interpretation. The finale presents its approach to thriller resolution.
The final reveal recontextualizes earlier scenes, offering viewers material for post-viewing discussion.
The final moments of Gone reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Worth Watching If You:
| Metric / Region | Collection (Approx) |
|---|---|
| Worldwide Gross | $18.1M |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |










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YouTubeAnalyzing the audience sentiment, IMDb rating of 6.2/10, and global collection metrics, Gone stands as a challenging project for the creators. It remains an essential piece of the 2012 cinematic year.
Gone has received mixed reviews with a 6.2/10 rating, making it a moderate success with the audience.
Gone is a mixed bag. It might be worth watching if you're a fan of Thriller, Drama movies, but read reviews first.
Gone may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Kidnap Thriller 101. Sarcastic Spoilers Within Review. Off the bat lets say it, Gone is not a very bad movie, it has the requisite mystery elements, Amanda Seyfried makes for an engaging lead as the once kidnapped girl who nobody seems to believe, the cinematography (Michael Grady) is high quality and there's some decent moments of chills along the way. Unfortunately the film just exists as a case of unadventurous screenplay writing. Gone is written by Allison Burnett, who writes it like some homework assignment set by a bored lecturer at a film studies class. Everything about it is rank and file what you have seen a million times before in this type of genre offering. A bunch of characters file in for cameos under the guise of red herrings, while our spunky heroine single handedly out-foxes the whole of the Portland police force, while naturally evading capture at every juncture. Everyone but Seyfried's character are just on the periphery of things, where the likes of Wes Bentley and Jennifer Carpenter stand around hoping for the script to give them something worthwhile to do. In fact Carpenter's character is a set up for a late plot development, only for it to be the last we see of her, which is just bizarre in hindsight. Then the "big" finale arrives and the serial killer/kidnapper arrives and gets afforded the same "none" time as everyone else. Nothing remotely original here, sadly. It serves decent enough as a time filler, but once the hopelessly weak finale plays its hand, you may come away asking yourself this question, why do films like this continually get green lit by studios when they have nothing more to offer other than putting another title on a budding actor's CV? 5/10
**Overall : Could it have been better? Sure. Was it awful? No.** If you checked out the reviews for this movie elsewhere, you read that it is an absolute piece of garbage. And that just isn't true. It's a run-of-the-mill thriller with a very good performance by Amanda Seyfried as the main character that ends a little differently than expected. I enjoyed guessing who the killer was as the movie offered multiple red herrings to throw you off. Not one that I would say rush out to watch, but if you got a random need to watch a decent b-movie thriller, then maybe check this one out?
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.